Never upstage a man. Don't top his joke, even if you have to bite your tongue to keep from doing it. Never launch loudly into your own opinions on a subject - whether it's petunias or politics. Instead, draw out his ideas to which you can gracefully add your footnotes from time to time.
Our wishes never seem so little desirable as when on the verge of accomplishment; we draw back instinctively, they look so different from what we expected.
Nature does not conquer the world to God. It never has. It never will. In America, with its vast abounding wealth, its grand expanse of prairie, its reach of river, and its exuberant productiveness, there is danger that our riches will draw us away from God, and fasten us to earth; that they will make us not only rich, but mean; not only wealthy, but wicked. The grand corrective is the cross of Christ, seen in the sanctuary where the life and light of God are exhibited, and where the reverberation of the echoes from the great white throne are heard.
I became an animal painter because I loved to move among animals. I would study an animal and draw it in the position it took, and when it changed to another position I would draw that.
It is that faculty by which we discover and enjoy the beautiful, the picturesque, and the sublime in literature, art, and nature; which recognizes a noble thought, as a virtuous mind welcomes a pure sentiment by a involuntary glow of satisfaction. But while the principle of perception is inherent in the soul, it requires a certain amount of knowledge to draw out and direct it.
When you draw from the endless awareness of nirvana, you are no longer a slave to fortune. When pleasant experiences come your way, you can enjoy them. But if pain and misfortune befall you, you can rise above them and remain unaffected.
Anybody can become a widow. There aren't any special qualifications. It happens in less time than it takes to draw a breath. It doesn't require the planning, for example, that it takes to become a wife or a mother or any of the other ritual roles of womanhood.
Only when a disputed point has long caused bloodshed and disturbance, or when a successful invader (military or theological) insists on a change, is it necessary to draw up a code.
I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.
If you should take the human heart and listen to it, it would be like listening to a sea-shell; you would hear in it the hollow murmur of the infinite ocean to which it belongs, from which it draws its profoundest inspiration, and for which it yearns.
To do science today is to experience a dimension unique in contemporary working lives; the work promises something incomparable: the sense of living both personally and historically. That is why science now draws to itself all kinds of people - charlatans, mediocrities, geniuses - everyone who wants to touch the flame, feel alive to the time.
We humans have always needed rituals to draw like curtains over the chasms of the unknown. Without them we go mad, I think.
Time was when medicine could do very little for critically ill or dying patients. Now it can do too much. Where to draw the line is the subject of a broad, heated debate throughout the country, a debate that becomes louder with each new medical miracle or impossible case.
It is not morbidity which draws crowds to scenes of disaster or unusual joy. It is the desire to participate in a moment when life breaks through to some higher level of intensity so that one's own life might take fire from that sudden spurted flame.
Naive conclusions to draw from man's brutality! Because man is a brute, woman has to be locked up so that she will remain unharmed.
Observe Everything. Communicate Well. Draw, Draw, Draw.
In every one of these haunting and hungry poems, Howell draws a map for how to enter the heat and dew of the human being, naked and facing the natural world, desperate to feel. I did not realize while reading Render how deeply I was handing everything over.
When you play the bars, you pay your dues. It does matter that you know those things [songs]. And the great thing for me, too, is that I draw on that stuff as influences. It's also stuff that you put in the tank that you pull from to make records.
The more you progress, the more you learn. I try to pay attention to ticket counts, draws, guarantees and bonuses. I look at my deals closely these days and try to come up with other projects and ideas, since this business [comedy] is about creating content.
Comics is different than writing because when you draw something you are trying to visualize it and you are trying to put yourself in that space. And when you're drawing something, all sorts of associations come up in my mind that I never would have thought of otherwise.
"Real" drawing is about specifics. It's about describing an object as accurately as possible. In a comic strip you have to draw a picture of the idea of the object. You have to draw the word that you are picturing, then you have to mix in specifics with it for it to work as a story. But you are still working with drawn words.
I'm really glad that I made a lot of mistakes, poorly chose my friends throughout my twenties, and didn't have a rocket trajectory that set me on one path without making any mistakes or having any setbacks. The older I get, the more I realize that it's all of these failed, horrible things from my past, and the stories that they generated, that are the things I will draw on for the rest of my life.
There is blood in Mr. Ervine's 'Carson'; he knows nothing about Sir Edward Carson, of course, but his teeth are firmly fixed in the calf of someone's leg, all the time, and he draws blood without a doubt.
Women rely on friends. ... That's where we draw sustenance and find safety. We can count on our women friends when we need a good laugh or a good cry.
I draw from life - but I always pulp my acquaintance before serving them up. You would never recognize a pig in a sausage.
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