If poetry were nothing but texture, [Dylan] Thomas would be as good as any poet alive. The what of his poems is hardly essential to their success, and the best and most brilliantly written pieces usually say less than the worst.
I think that's what Dylan's trying to do: to create a space artistically where something else can take shape, can take life - where there's hope.
Why is this generation looking to aging icons like John Lennon and Bob Dylan for inspiration? Why not raising up their own icons?
Well, it seems that one day Dylan was drivin' up to San Francisco from New Orleans or somewhere, when our record [House of the Rising Sun] came over his radio. When it was announced he said to Joan Baez -- who was with him at the time -- 'This'll be the first time I've heard this version', although it was number one in the States. So he listened to it, stopped the car, ran round the car five times, banged his head on the bumper and began leapin' about shouting 'It's great! It's great!'
Anything but the void. And so we keep hoping to luck into a winning combination, to tap into a subtle harmony, trying like lock pickers to negotiate a compromise with the 'mystery tramp,' as Bob Dylan put it.
In other words, I'd say the whole story of Bob Dylan is one man's search for God. The turns and the steps he takes to find God are his business. I think he went to a study group at the Vineyard, and it created a lot of excitement.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
Dylan Nice's Other Kinds is the most extraordinary short-story-col lection debut I have read in years. It is a book to be memorized.
I had - along with my singing and dancing, I was very happy to be born in the hometown of Dylan Thomas. So the government was financing dramatic groups and amateur dramatics and stuff like that.
I still prefer to hear [Bob] Dylan acoustic, some of his electric songs are absolutely great. Electric music is the vernacular of the second half of the twentieth century, to use my father's old term.
I've listened to Dylan my entire life. My dad was a huge Bob Dylan fan, so we listened to his music, Cat Stevens, Simon & Garfunkel, and all that kind of stuff. It opened up a whole world of this music that I'm now obsessed with.
Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.
Do not trust people who call themselves musicians or record collectors who say that they don’t like Bob Dylan or the Beatles. They do not love music if those words come out of their mouths.
I am like a chameleon, influenced by whatever's going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan.
Dylan Thomas, asked what he thought of Welsh Nationalism, replied in three words, two of which were 'Welsh Nationalism.'
I started being me about the songs, not writing objectively, but subjectively. I think it was Dylan who helped me realize that - not by any discussion or anything, but by hearing his work.
If I was to meet Lou Reed or Bob Dylan, I would be totally helpless. Writers and musicians make me feel completely starstruck.
It's not name dropping, but not many people can say, like me, that they spent the day with the likes of Francis Bacon or that boring drunk Dylan Thomas. You don't forget things like that.
Bob Dylan continues to release odd and unsettling records, and to do odd and unsettling things on stage. So the term "still" seems meaningless to me. But the real answer is simple: I listen to Bob Dylan for pleasure more than I listen to anyone else for pleasure.
There's no concession to the fact that Dylan might be a more sophisticated singer than Whitney Houston, that he's probably the most sophisticated singer we've had in a generation. Nobody is identifying our popular singers like a Matisse or Picasso. Dylan's a Picasso - that exuberance, range, and assimilation of the whole history of music.
Hear this Robert Zimmerman, I wrote a song for you, about a strange young man called Dylan with a voice like sand and glue.
Bob Dylan's one of the greatest blues singers of the western world; ancient art, on-the-spot improvisation, mind quickness, endless variation, classical formulae, prophetic vision, mighty wind-horse.
If Woody Guthrie set the bar for American songwriters, Bob Dylan jumped right over it. No one I know will ever come close to possessing the beauty of melody and the use of language that Dylan shares with us, with ease.
If I had an axe on the evening at Newport when [Dylan] broke out the electric guitar, I'd have cut his cable.
I don't think [Dylan and the Beatles] influenced me a lot. I think it was inevitable; they were so powerful that you couldn't really escape the influence.
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