Ensemble Quotes - Page 7

• I always want to be a part of ensembles. Besides it feeling safer, I think it's a more fun environment to work in. To have a bunch of people collaborating on something, it takes the pressure off of each individual.

  Megan Fox

  Fun, Thinking, People

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• It's kind of like, I love doing tons of different things. The only thing I hate is not being in ensembles.

  Topher Grace

  Hate, Different, Kind

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• The TV show I do ['Dr Quinn'] is the day job that enables me to work with this theater [Pacific Resident Theatre Ensemble]. That's all I live for. That's what I care about. There's no dough in it. Nothing to do but lose money. But it's all from the heart, and that's why it's so much fun.

  Orson Bean

  Jobs, Fun, Heart

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• No great television show has ever rested on just one person. They're all about great ensembles and storytelling.

  Justin Kirk

  Television, Storytelling, Shows

  "Justin Kirk Talks NOBODY WALKS, WEEDS, ANIMAL PRACTICE, MR. MORGAN’S LAST LOVE, and More". Interview with Sheila Roberts, collider.com. October 13, 2012.

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• I don't feel guilty about the music I love. If you feel guilty about something you dig, then you should stop feeling guilty about it. One of my favorite albums to this day is the 10th anniversary ensemble cast of 'Les Miserables,' the ultimate cast recording, and it is still something I love listening to top to bottom.

  Corey Taylor

  Feelings, Listening, Albums

  "Biography / Personal Quotes". www.imdb.com.

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• I don't care how much people understand what it is that I'm doing, except if they're players in my ensemble or other ensembles. I just want people to be moved by the music. If you're not moved by the music, then everything else falls away. You're not interested in the text, you're not interested in how it was done, and you're not interested in interviewing the composer and all the rest of it.

  Steve Reich

  Fall, Player, People

  Interview with Joshua Klein, pitchfork.com. November 22, 2006.

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• Saying goodbye to Nina is both bittersweet and beautiful. After six-plus years together, the entire cast and crew of The Vampire Diaries has reached a level of closeness that I don't think any of us ever expected. Nina is excited to spread her wings, get some rest, travel the world and also take it by storm, and we support her a thousand-fold. We will miss Nina and the four hundred characters she played, but we look forward to the insane and exciting challenge of continuing to tell stories of our Salvatore Brothers and our much-loved and gifted ensemble.

  Julie Plec

  Beautiful, Goodbye, Brother

  "Vampire Diaries: Nina Dobrev Won't Return for Season 7" by Brian Gallagher, movieweb.com. April 6, 2015.

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• I never rehearse scenes with the whole ensemble, because I need to preserve some surprise. Instead, I work with the cast individually on their characters.

  Arnaud Desplechin

  Character, Needs, Surprise

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• Despite their rising international acclaim, Sachal Studios remains virtually unknown in Pakistan. The ensemble is faced with a daunting task: to reclaim and reinvigorate an art that has lost its space in Pakistan's narrowing cultural sphere.

  Sharmeen Obaid-Chinoy

  Art, Space, Tasks

  Source: blogs.indiewire.com

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• It's quite a trick to use three instruments to tell the story of two people, but Vores carried it off; three, for once, is not a crowd. Each member of the trio gets important solos, but there is also a real ensemble character.

  Richard Dyer

  Real, Character, Two

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• Duke Ellington's career traces the entire history of jazz. The repertoire associated with him contains the most important elements in the music and provides concrete examples of some of the best ways to present the music in the widest variety of settings-radio, TV, recordings, movies, concert halls, festivals, solo, small ensemble, big band, symphony orchestra, opera, Broadway shows.... You name it, he did it!

  Billy Taylor

  Names, Careers, Symphony

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• I don't have to do much. What I was surprised at and the challenge was that dealing with an ensemble cast who are in scenes together everyday all day, that is a challenge. It's a challenge to make sure everyone get as much coverage and attention, it got just kind of competitive. I loved it because it made it funnier, but the improv went nuts. People were like, "Oh wait. I have something better to say." "Now, I'm going to say..."

  Jerusha Hess

  Nuts, People, Waiting

  "Interview: Jerusha Hess and J.J. Feild of 'Austenland'". Interview with Nell Minow, moviemom.maxlazebnik.com. August 22, 2013.

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• The ensemble playing is as clean as a whistle. The band plays in tune and with dynamics. Also, there is some fine arranging and orchestrating going on here, and the soloists perform at top level.

  Horace Silver

  Play, Tunes, Band

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• I'm always having to check myself and make sure I'm not over singing in some ensemble thing that will render me unavailable for participation in the stuff where it really counts.

  Katherine Shindle

  Singing, Stuff, Checks

  Source: www.broadwayworld.com

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• I've worked with Emily Skinner and I've seen Linda Balgord's work. I saw Harvey Keitel at the call-backs. But generally I don't know many people. They're not only good performers; they're really good singers! This show is for people who have more of a history in reading music. From what I already know about the ensemble, it's going to be great. And I can't wait to meet the rest of them. They're the real deal.

  Max von Essen

  Real, Reading, People

  Source: www.broadwayworld.com

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• I've appeared in those kind of films and have great fun doing it, and I'm always up for a challenge. I think with things like Mission: Impossible and Star Trek, those things are such an ensemble, it's not like I'm Ethan Hunt. I'm Benji. I'm the guy that does the computer business. I know my place.

  Simon Pegg

  Stars, Fun, Thinking

  Source: 411mania.com

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• I've always been very interested in ensemble work. One reason why I don't go out and do a stand-up act is that I did it once and I found it unsatisfying. I don't really like being out there by myself. I like reacting with other people.

  Paul Reubens

  People, Reason Why, Found

  Source: www.interviewmagazine.com

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• It's one thing to be a perfectionist when you're alone, but when you're trying to make it work in an ensemble that's a whole different deal.

  George Saunders

  Trying, Different, Perfectionist

  Interview with George Saunders, www.interviewmagazine.com. March 27, 2016.

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• Any ensemble - they didn't call it "the all-male Expendables," for example. But it's Hollywood's fault that people say that, because there have been so few movies that have allowed women to have these leading roles, so that's Hollywood's fault.

  Paul Feig

  People, Female, Roles

  "Ghostbusters Director Paul Feig: It's "Hollywood's Fault" Female Leads Are Still Rare". Interview with Lindsay Miller, www.popsugar.com. July 19, 2016.

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• If an ensemble - I don't care if it's a duet or a forty-piece orchestra - the musicians, the two of them or the forty of them, are all trying to play as tight as possible, as one person. They're trying to play like they are one person.

  John Densmore

  Play, Two, Trying

  "John Densmore on Life, Love, Meditation and His New Book, 'The Doors: Unhinged'". Interview with Maranda Pleasant, www.marandapleasantmedia.com.

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• The more the ensemble, the duet or the forty piece orchestra, plays as one person, the more it makes people dance, because you're back in the womb. You feel mom's heartbeat. It makes you move. It reminds you of that warm, groovy space you were in.

  John Densmore

  Mom, Moving, Play

  "John Densmore on Life, Love, Meditation and His New Book, 'The Doors: Unhinged'". Interview with Maranda Pleasant, www.marandapleasantmedia.com.

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• I was commuting three to four hours a day, I had jobs for much of it. But I was always involved in going to some ensemble someplace. Taking my lessons at the local Jewish community center on Staten Island.

  Jon Gordon

  Jobs, Islands, Community

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