I like bringing poetry's focus on figurative language and compression into the essay. Of course, the musical properties of language, the cadence of the sentence, are really important to me in prose.
I'm always trying to bring as many poetic properties as possible to the essay without making it too overburdened.
In the short stories - if I can make a very lumpy contrast - in the short stories I feel like the lives of the people have a kind of prior desperation and a prior need and my longing is for the story and their lives to somehow come together, even if not finally or forever, to face something; and it felt like a lot of the time with the essays I was wading into situations where there was an assumption of finality of understanding, and I felt like I could wade into any understood moment and tear it apart and make it fall apart.
Most writers want to share their essay or book much too quickly. Those who accept the pain of hard work and revising are those who get published.
I am coming from an older school, and I feel that you must learn to wait. There is that essay which was about the great notion of sitting on the mountain and waiting for the muses to cross the stream, and give you the symbols that would allow you to create. The word wait seems to me to be terribly important.
I think I've been mildly obsessed with my hair. I don't think I have a hugely adversarial relationship with it. One my essay is about my decision to keep coloring my hair once it started to go gray, but once I wrote the essay - once the book was in production - I decided to go gray.
Decide for yourself what kind of works you want to create... facts, essays, poems - do you want to speak or to sing?
I wasn't particularly good at school so always found essay writing hard, so I didn't do that well at English or history, even though I enjoyed it.
Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.
History is a state of yearning. I yearn for Kay Lake throughout this entire thing. There's an essay I've written where I talked about living in the past. There's a whole motif in the book of then and now. And I lived there.
I don't work on poems and essays at once. They walk on different legs, speak with different tongues, draw from different parts of the psyche. Their paces are also different.
A poem's essential discovery can happen at a single sitting. The cascade of discoveries in an essay, or even finding a question worth exploring in one, seems to need roughly the time it takes to plant and harvest a crop of bush beans.
I consider myself an essayist and a fiction writer. In the essays, I certainly have been influenced by some of the leading science essayists. Like Loren Eiseley, Stephen Jay Gould, Lewis Thomas.
Every essay - the subject matter of every essay - is ultimately about the essayist; him or herself. That ultimately, every essayist is writing about his or her view of the world.
I am not comfortable with abstract writing, stories that look like essays: you have to see, I need to see.
If any art form can accommodate contemporary culture, it's the novel. It's so malleable - it can incorporate essays, poetry, film. Maybe the challenge for the novelist is to stretch his art and his language, to the point where it can finally describe what's happening around him.
The usual reproach against the essay, that it is fragmentary and random, itself assumes the givenness of totality and suggests that man is in control of this totality. The desire of the essay, though, is not to filter the eternal out of the transitory; it wants, rather, to make the transitory eternal.
Don't deliver an essay with so many points. No one can absorb it. Just say one thing... Of course, you can say the point in many different ways over and over again with different illustrations.
My children, mark me. I pray you. Know! God loves my soul so much that his very life and being depend upon his loving me, whether he would or no. To stop God loving me would be to rob him of his Godhood; for God is love no less than he is truth; as he is good, so is he love as well. It is the absolute truth, as God lives... If anyone would ask me what God is, I should answer: God is love, and so altogether lovely that creatures all with one accord essay to love his loveliness, whether they do so knowingly or unbeknownst, in joy or sorrow.
Why did the 14-year old Mexican girl end up pregnant? Because her teacher told her to go do an essay.
I am a bad reporter because everything seems to me worth reporting; and a bad reviewer because every sentence in every book suggests a separate essay.
Bloggers and other flavors of lone wolf are publishing heart-wrenching photo-essays from the front line of the recovery effort. Newspapers and TV networks? They're writing about the temperature of the water in some part (they don't specify which) of some damaged reactor, illustrating it with video screen grabs of machinery they don't understand enough to explain.
So avoid using the word 'very' because it's lazy. A man is not very tired, he is exhausted. Don't use very sad, use morose. Language was invented for one reason, boys - to woo women - and, in that endeavor, laziness will not do. It also won't do in your essays. What you do today is important, because you are sacrificing a day of your life for it. Anger is an acid that can do more harm to the vessel in which it is stored than to anything on which it is poured.
Often kids in a computer lab learn about word-processing, but if they want to write an essay, they write it by hand. This is exactly the opposite of what you want them to learn. They're approaching the computer as just another abstract school subject.
The interesting thing about that is one of the greatest critics of socialism and leftwing writings was Robert Michels who wrote a series of essays called "The Iron Law of Oligarchy" and in these essays he discusses how no matter what sorts of freedoms are advertised or put into a society structure, that all societies, all form of governments - whether they be a Roman republic, whether they be a democracy, whether they be a Russian communist system, whatever, a tribe... a tribal council - all of the continuously, throughout the ages, have all converted back into an oligarchy.
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