Painting allows us to live in a more interesting way than we live our everyday lives.
It is not only poverty that torments the Negro; it is the fact of poverty amid plenty. It is a misery generated by the gulf between the affluence he sees in the mass media and the deprivation he experiences in his everyday life.
I derive a tremendous amount of pride in developing places that everyday people can experience. I like to create beauty in everyday lives.
In a culture of electronic violence, images that once caused us to empathize with the pain and trauma of another human being, excite a momentary adrenaline rush. To be numb to another's pain - to be acculturated to violence - is one of the worst consequences our technological advances. That indifference transfers from the screen, TV, film, Internet, and electronic games to our everyday lives.
Great battles are really won before they are actually fought. To control our passions we must govern our habits, and keep watch over ourselves in the small details of everyday life.
The interesting thing is that in everyday life, I fail to see the most ordinary things. I often stumble and sometimes I even fall over. But when I draw or look at a painting, I go into a sort of overdrive and just see things differently than other people.
The workshop of character is everyday life.
As soon as the theoretician attempts to take account of so-called 'utility' and 'reality' instead of absolute truth, his work will cease to be a polar star of seeking humanity and instead will become a prescription for everyday life.
Theater is a space where you cross over from everyday life, because there are real people in that moment moving in front of you-you're being invited to believe in a story and cross that bridge.
Ultimately, we want to provide people with a unique experience, and an unexpected one as well. We'd like people to leave the theater having questions, being intrigued, wanting to know more, and forming their own opinions about the characters and the world we created. We'd like the film and its images to stick around in people's heads, possibly be recalled every time the letter "H" comes up in everyday life.
Great creators like Yves Saint Laurent or Jimmi Hendrix; they are people who are so smart and so sensitive. They have such a sharp vision of life that everyday life is complicated for them. They are moved and shocked with so many things that they have to make it positive with creation.
As a young man, I was very interested in how people lived in earlier times; how they got from place to place, lighted their homes, cooked their meals and so on. So I went to the history books. Well, I could find out all about kings and presidents; but I could learn nothing of their everyday lives. So I decided that history is bunk.
Whatever may be the experience in everyday life, the basci inner Truth should not be forgotten.
I do disguises for different reasons. I like to study people - be like the fly on the wall. Even if it's two old ladies sitting on a bench or some kids on a swing. Because I don't know what it's like to fit in an everyday life situation.
On one hand, prostitutes don't struggle because it's simply their life. In Mexico and elsewhere, once they get out of these places [brothels] they have a pretty square life. In Bangladesh it's different because they live in the brothel, it's sort of a prison, but still there are two sides. When they think of their religion and their upbringing, they can be very moralistic. They're moralistic about giving blow jobs. On the other hand, they have an everyday life where there's no room for shame.
The earliest impetuses for writing, for me, were simply the strange things I happened to notice in my everyday life, stuff I read about in the grocery store tabloids my mom bought, situations that struck me as compelling, anecdotes I'd heard, images, words, metaphors.
How do I integrate spirituality into my everyday life? Throw out the concept of "spiritual life" and "everyday life." There is only life, undivided and whole.
Distraction is our habitual state. Not the distraction of the person who withdraws from the world in order to shut himself up in the secret and ever-changing land of his fantasy, but the distraction of the person who is always outside himself, lost in the trivial, senseless, turmoil of everyday life.
Don't confuse simple, reasonable honesty with radical silliness. There is no reason to try to articulate blurry feelings or over-explain every detail. The point is to be honest instead of internalizing, not to try to extract juicy confessionals out of everyday life.
The best didactic for the elimination of the Ego it is found in the everyday life intensively lived.
For most Olympic athletes‚ their training is their hardest challenge and where they push themselves to the limit. For Paralympians‚ training and competition is an escape from the hardships and struggles of their everyday life. That is the difference.
Taking delight in my family, my time in nature, and in the chance to do work that I find endlessly fascinating and rewarding. My smile grows even bigger when I think about how lucky I am to have such delights be part of my everyday life.
Animal rights is a part of my everyday life. When you live by example, you create a certain level of awareness. Friends of mine - people I have never discussed animal rights or vegetarianism with - are adopting vegetarian habits because they see it.
How we use our money is the clearest outside indicator of what we really believe. ... If someone is a true disciple of Jesus Christ, the evidence will be found in that person's everyday life - including his or her use of money.
The media is in the business of finding exceptions to everyday life. Bad things are still the exception. That's good, because once bad things stop being news, we really are in trouble. If people forget that bad is the exception, they think they live in a horrible world. There is so much that works and is right and friendly and warm. But we take that for granted.
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