Alix [MacKenzie] was a looser, more linear painter, dealing with amoebic forms, let's say, close to [Joan] Miró as opposed to my more static exploration of space.
The film [Payback: Debt and the Shadow Side of Wealth] opens with an Albanian blood feud and goes on to delve into, for instance, prison systems, underpaid tomato pickers, the gulf oil spill. It's all woven together in a sensuous, oblique way that's not the same as the single-message kind of documentary we're used to, with an "answer" at the end. It's more like an exploration. Sort of like what you do with Birth of a Nation.
When NASA makes discoveries they are profound and they make headlines, everyone takes notice. It drives dialogue and, today, it would drive the blogosphere. It would drive the projects the kids do in school. So you wouldn't even need programs to try and stimulate curiosity. You wouldn't need programs to try to convince people that science literacy is good. Because they're going to want to participate on this epic adventure that we call space exploration.
Theory provides the maps that turn an uncoordinated set of experiments or computer simulations into a cumulative exploration.
So long as our textbooks hide from us the roles that people of color have played in exploration, from at least 6000 BC to the twentieth century, they encourage us to look to Europe and its extensions as the seat of all knowledge and intelligence. So long as they say “discover,” they imply that whites are the only people who really matter. So long as they simply celebrate Columbus, rather than teach both sides of his exploit, they encourage us to identify with white Western exploitation rather than study it.
I'm not trying to create a stand-in or avatar with whom the reader can identify, but separate, believable characters with distinct personalities; I'm trying to place the reader more in the role of observer rather than that of participant. I think this approach comes out of my own personal desire and struggle to understand our world, and the complex interactions of people with one another and their environment. My work is an improvised exploration of this complexity, as opposed to a structured, plot-driven narrative.
At practically every level, the way I make comics is an act of improvising within structural boundaries. There's a rough plan, with a beginning, middle and an end, but how I get from one point to another is unknown at the outset, and a large part of what keeps me engaged. It's an exploration for me, and hopefully for the reader as well.
Mission 31 pays homage to my grandfather's work and all aquanauts who have since followed his lead in the name of ocean exploration.
Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through art, it was a perfect way to start. I love to interrogate through image - or pose questions through a subversion of said image - and we came up with a visual that caused quite a stir and went on to pick up a Design and Art Direction award.
With all the new media outlets out there, with all the noise, a voice of authority and calm like Vogue becomes more important than ever. The more eyes on fashion, the more opinions about fashion, the more exploration of fashion around the world, the better it is for Vogue. Vogue is like Nike or Coca-Cola—this huge global brand. I want to enhance it, I want to protect it, and I want it to be part of the conversation.
I just love it so much [acting]. When I get passionate, I’ll give you everything until I collapse. That’s not in any ’Look at me, I’m a saint’ kind of way. It’s very selfish in a way. I’m doing this really awesome exploration, and it’s like a drug, because I completely disappear.
I’ve had many, you know, happy ending sleepovers’in my early youth — my period of exploration. I think that’s essential. Anyone who hasn’t had a gay moment is probably trying to avoid some confrontation with a reality in their life.
Perhaps it won't matter, in the end, which country is the sower of the seed of exploration. The importance will be in the growth of the new plant of progress and in the fruits it will bear. These fruits will be a new breed of the human species, a human with new views, new vigor, new resiliency, and a new view of the human purpose. The plant: the tree of human destiny.
Mine is a quiet exploration—a quest for new meanings in color, texture and design. Even though I sometimes portray scenes of poor and struggling people, it is a great joy to paint.
This much is certain... No initiative put in place starting today can have a substantial effect on the peak production year. No Caspian Sea exploration, no drilling in the South China Sea, no SUV replacements, no renewable energy projects can be brought on at a sufficient rate to avoid a bidding war for the remaining oil.
Passonate, irreverent, utterly relevant, Billy Lynn's Long Halftime Walk offers an unforgettable portrait of a reluctant hero. Ben Fountain writes like a man inspired and his razor sharp exploration of our contemporary ironies will break your heart.
The secret of the world is this: the world is entirely circular and you will go round and round endlessly, never finding what you want, unless you have found what you really want inside yourself. When you follow a star you know you will never reach that star; rather it will guide you to where you want to go. Its a reference point, not an end in itself, even though you seem to be following it. So it is with the world. It will only ever lead you back to yourself. The end of all your exploring will be to cease from exploration and know the place for the first time.
A new idea is delicate. It can be killed by a sneer or a yawn; it can be stabbed to death by a quip and worried to death by a frown on the right person's brow. When innovations are in the exploration stage, they need a champion to take them through the rest of the developmental stages. Otherwise the bureaucracy, politics, and people who can only see the fledgling and potential innovation through today's glasses will smother it or let it quietly die from malnourishment.
Setting skepticism aside, even briefly, can make for very interesting explorations. It is not necessary that we change any of our beliefs. It is necessary that we examine them.
The truth is that the scientific value of Polar exploration is greatly exaggerated. The thing that takes men on such hazardous trips is really not any thirst for knowledge, but simply a yearning for adventure. ... A Polar explorer always talks grandly of sacrificing his fingers and toes to science. It is an amiable pretention, but there is no need to take it seriously.
One of the problem with cyber is that it lends itself to preemptive action. Your assets in cyber-warfare are your opponents' vulnerabilities, therefore in order to quantify your assets you have to be able to ascertain how vulnerable your opponents are and that involves pre-emptive exploration of your opponents' networks. So in that sense it lends itself to some pretty nasty stuff.
Michael Jackson is a very weird impulse. It was the exploration of something overtly pop, to the point where pop is kitsch. It's also an exaggeration when placed across from the race riots. Because again you have the police department and you have Michael Jackson.
As my personal explorations continued, I experienced this quality of inner reality more and more and could no longer doubt that the meaning of God lay in this direction. At the same time, these undeniable experiences lit up and were in turn illuminated by all the philosophical and historical knowledge I had by then amassed and I began to understand in an entirely new way the teachings of both Judaism and Christianity as well as the teachings of Buddhism, Hinduism and Islam.
I love writing and the little filmmaking I have attempted, but comics is the means of artistic expression that feels most comfortable to me. It's also still a largely uncharted medium with enormous unrealized potential. I like finding new ways to communicate an idea or a feeling, ways that can't be duplicated in other media, so I take great pleasure in the invention and exploration that comics necessitates.
I've been really lucky to spend some time around actors and artists I really admire. One thing I gathered from asking a lot of questions is that part of this job and this life we've chosen is doing personal exploration in front of an audience. In a lot of ways, that's what art is: personal searching with people watching.
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