What drives me is exploration with a purpose, more the classic Royal Geographical Society genre.
In 1980, during my sophomore year at MIT, I realized that the school didn't have a student space organization. I made posters for a group I called Students for the Exploration and Development of Space and put them up all over campus. Thirty-five people showed up. It was the first thing I ever organized, and it took off!
I'm no romantic, surfing, California boy. I like reading, writing, philosophizing. Scheming. I've been doing some exploration of the inner space.
Sometimes there is more exploration in the character for a villain.
Space exploration must be undertaken not only out of simple human curiosity but also to further the survival of the species. The twentieth century has seen the unprecedented development and proliferation of magnificent technologies. Many of them, through design, ignorance, or misuse, are capable of destroying life as well as enhancing it. Space exploration alone holds the promise of eventual escape from a dying planet, provided we wisely manage our resources in the meantime and actually survive that long.
While civilization is more than a high material living standard, it is nevertheless based on material abundance. It does not thrive on abject poverty or in an atmosphere of resignation and hopelessness. Therefore the end objectives of solar system exploration are social objectives in the sense that they relate to, or are dictated by, present and future human needs.
The thing for me is, what if one returns to these maxims, these rather simplistic maxims "Be the change you want to see in the world." Because what canvas have we but the self for these kind of explorations, ultimately.
I think I was really naïve. I had no context to think about what I wanted to do. Each step was a next stage of exploration.
A related recurring theme is the exploration of how we take for granted the things in our immediate environment that are common and ordinary. Existential blindness, of sorts.
General anxiety is the bridge between the manic joys of creation, exploration, new revelations, professional acceptance and reward, and the depression of self-critique, professional rejection and stagnation. All are part of the roller coaster ride of an artist's life.
If oil exploration can threaten a place as beautiful and meaningful as Virunga, where next?
I believe babies are born as innovative personalities... But our social processes work to stamp out exploration and questioning.
The discoveries of science, the works of art are explorations - more, are explosions, of a hidden likeness. The discoverer or artist presents in them two aspects of nature and fuses them into one. This is the act of creation, in which an original thought is born, and it is the same act in original science and original art.
You are an explorer. You understand that every time you go into the studio, you are after something that does not yet exist.
Every month we do a bold adventure. This is the golden age of space exploration.
My recollections of Armenia open new visions for me. My art is therefore a growth art where forms, pines, shapes, memories of Armenia germinate, breathe, expand and contract, multiply and thereby create new paths for exploration.
I never have held death in contempt, though in the course of my explorations I have oftentimes felt that to meet one's fate on a noble mountain, or in the heart of a glacier, would be blessed as compared with death from disease, or from some shabby lowland accident. But the best death, quick and crystal-pure, set so glaringly open before us, is hard enough to face, even though we feel gratefully sure that we have already had happiness enough for a dozen lives.
You have to be again innocent, ignorant, not knowing anything, so that the questions can start arising again. Again the inquiry becomes alive, and with the inquiry becoming alive you cannot vegetate. Then life becomes an exploration, an adventure.
I think that painting relates very neatly to inner travel and the exploration of inner worlds. With painting, I always get the impression that you're sort of entering into a shared space.
The computer is a tool akin to a telescope or a microscope; a tool that opens vast frontiers of possibilities and brings them to light; a tool that captures the elemental and animates or holds it still at will; a tool that captures the organic flow of the earth's crust or the wash of a wave, and creates an impossible symmetry, an elemental Rorshach pattern ripe for continued exploration, divulging a thousand revelations.
Curiosity is the essence of human existence and exploration has been part of humankind for a long time. The exploration of space, like the exploration of life, if you will, is a risk. We've got to be willing to take it.
Perhaps we need to separate youth from education. Education lasts forever. Youth is the time for exploration, maturation, socialization.
The Brightwood Stillness is a novel I could not put down. On the surface, it is the lives of normal people in trying circumstances. Deeper, it is an uncannily perceptive exploration of male psychology… Pomeroy is a brave new voice capable of taking us beyond the clichés of war and its aftermath and into the secret heart of every man. This is simply the best novel I’ve read in a long time.
Chevy Stevens is in top form. ALWAYS WATCHING is a tense and twisty exploration of dark memories, hidden pasts, and a place that seems like heaven but might be hell. This is a deep and exciting novel, as unsettling as it is gripping.
To reach only for that which pleasantly enchants you is the least of imagination, if even imagination at all, by the obvious reality of remaining within your means. The greater of imagination is parallel to risk. It extends beyond your comfort zone or haven, or sense of beauty, or what you personally believe suits you in exploration of what may not.
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