I think there's a terrible price to be paid when your exterior life is not an honest reflection of your interior life.
An obvious fact about negative feelings is often overlooked. They are caused by us, not by exterior happenings. An outside event presents the challenge, but we react to it. So we must attend to the way we take things, not to the things themselves.
To a true artist only that face is beautiful which, quite apart from its exterior, shines with the truth within the soul.
If you have a connection to someone, it doesn't matter what their exterior is.
Teach your children that they need nothing exterior to themselves to be happy, no person, place or thing, and that true happiness is found within.
Between two products equal in price, function and quality, the one with the most attractive exterior will win.
You are without needs. There is nothing that you need in order to be perfectly happy. You only think that there is. Your deepest, most perfect happiness will be found within, and once you find it, nothing exterior to your Self can match it, nor can anything destroy it.
It's only recently that we've discovered that the artist's inner self is somehow more important than the public world. I'm happier to create exterior pieces for the world rather than to express something I deeply feel or wish to say.
Strive with all your might to bring your interior activity into accord with God, and you will overcome exterior passions.
Some men are one thing on the surface and another underneath. The true poet shows not just the exterior of his subject, but all the contradictions within, and lets the reader draw his own conclusions.
The senses are the organs by which man places himself in connexion with exterior objects.
A painting is an object which has an emphatic frontal surface. On such a surface, I paint a black band which does not recede, a color band which does not obtrude, a white square or rectangle which does not move back or forth, to or fro, or up or down; there is also a painted white exterior frame band which is edged round the edge to the black. Every part is painted and contiguous to its neighbor; no part is above or below any other part. There is no hierarchy. There is no ambiguity. There is no illusion. There is no space or interval (time).
And what is faith, love, virtue unassayed Alone, without exterior help sustained?
'Truly, truly, I tell you, if you ask anything of the Father in My Name, He will give it to you. Till now you have asked nothing in My Name; ask and you will receive, that your joy may be full' (Jn. 16:23). What a wonderful gift! It is a guarantee of unending, infinite blessings! It came from the lips of the unlimited God, clothed in limited humanity and called by the human name of Savior. The name by its exterior form is limited, but it represents an unlimited object, God, from Whom it borrows infinite, divine value or worth, the power and properties of God.
I only ever worked on interiors, and an interior is an interior. I don't know what they did about exteriors.
No feeling you get from any exterior stimulation or source is anything like the total bliss of communion within.
Nothing is out of our realm, because it has nothing to do with color. As black people, we're not different from anyone else, other than the exterior.
It's not a pretty face, I grant you. But underneath its flabby exterior is an enormous lack of character.
We've gotten caught up in thinking we are what we look like, the physical, the exterior. We think we're the lamp shade. We've forgotten that we are the light-the electricity and the luminosity that lights up every man, woman, and child. The light is who we truly are.
An artist worthy of the name should express all the truth of nature, not only the exterior truth, but also, and above all, the inner truth.
The City is a machine miraculously organised for extracting gold from the seas, airs, clouds, from barren lands, holds of ships, mines, plantations, cottage hearth-stones, trees and rocks; and he, wretchedly waiting in the exterior halls, could not even get his finger on one tiny, tiny lever.
The way the world works now, the way the rules of engagement operate, you can't claim to make sense out of the exterior without booking voyages into the interior. Think about it: How can you understand 'it' if you haven't made any effort to understand 'you'? Because what you're really doing is establishing a living, electrical, vital, energetic connection between it and you. You're creating both of them, simultaneously. A lot like quantum physics.
I am easily moved to tears and rarely survive a visit to the cinema without shedding them, racked, as I am, by the most perfunctory, meretricious or even callously sentimental attempts at poignancy (something about the exterior of the human face, so vast and palpable, with the eyes and the lips: it is all writ too large for me, too immediate for me.)
There are a lot of films where I play characters that are about the windows to the interior person rather than the exterior.
The time has come to realise that an interpretation of the universe—even a positivist one—remains unsatisfying unless it covers the interior as well as the exterior of things; mind as well as matter. The true physics is that which will, one day, achieve the inclusion of man in his wholeness in a coherent picture of the world.
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