Content, it dreams awake, and spins the fabric of tales. There is really nothing to be done with such imagery except to use it: in writing, in art.
Steve Grand is the creator of what I think is the nearest approach to artificial life so far, and his first book, Creation: Life and How to Make It, is as interesting as you would expect. But he illuminates more than just the properties of life: his originality extends to matter itself and the very nature of reality. Not since David Deutsch's The Fabric of Reality have I encountered such a compelling invitation to think everything out afresh, from the bottom up.
If you awaken from this illusion, and you understand that black implies white, self implies other, life implies death - or shall I say, death implies life - you can conceive yourself. Not conceive, but feel yourself, not as a stranger in the world, not as someone here on sufferance, on probation, not as something that has arrived here by fluke, but you can begin to feel your own existence as absolutely fundamental. What you are basically, deep, deep down, far, far in, is simply the fabric and structure of existence itself.
You're part of the human fabric of experience. You don't have to have cancer to write about cancer. You don't have to have somebody close to you die to understand what death is. Definitely, the more you live, the more experiences fall into your spectrum. As a writer, you must have been told: Write about what you know. But Kafka didn't. Gogol didn't. Did Shakespeare write only what he knew? Our own selves are limitless. And our capacity for empathy is giant.
My challenge was to weave into the fabric of American history enough of the presence of blacks so that the story of the United States could be told adequately and fairly.
I loved the idea that people dressed up to go to the gardens. Our work always has a utility point of view at its heartbeat and then other things come around it, so it really allowed us to use denims and suedes and gauzes, and those sorts of hard-working fabrics - workwear fabrics - and then contrast them with crepe de chine, beautiful florals and big jewelry.
Good teachers join self and subject and students in the fabric of life.
Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials.
I'm very happy that being gay and married and having kids has become such an accepted piece of the fabric of America.
I used to make all my clothes when I was in Southern Death Cult [the first incarnation of The Cult]. I still make things to wear on stage and I am involved with sketching, choosing fabric, cutting.
So it's Rosemary Clooney - Rosemary? Rosemary Clooney, right? The singer? Yes. Clooney, doing, singing, "I've Grown Accustomed To Your Face," which is, you know, really a love song, but what we see on stage is we see one puppet that's got a ridiculous blonde wig on and she looks ridiculous, and next to her is a head that's just a piece of fabric with a pretty face on it.
And then while she's lip-syncing, "I've Grown Accustomed To Your Face," to this little head next to her, the head eats the cloth fabric and swallows it and it's sort of this weird, demonic character there, who then tries to eat the singer. But it's a lot of fun. So there's a couple of pieces like that.
Guns 'N' Roses music was part of the fabric of all people.
Having said that, people here [in Mecklenburg-Western Pomerania] watch the TV. And they hear critics of her policies talk about how more than a million people coming here last year from various war-torn countries and also seeking economic help are going to, like, destroy the fabric of the society.
Subconsciously, Islam took over me so it was like eighty or ninety percent of the fabric of the person I was.
When you're shopping, too, you feel like you're designing as you're shopping. You're like, 'I love this, but I wish it was shorter or I wish it was purple. I wish it was a different fabric,' you know. It starts there, but then when you have to start from scratch, it really comes with an idea first, and then... you want to tweak and then you come up with something else and you want to add to it or change. It's fun. It's like an ocean - you can do whatever.
Historically black colleges and universities are incredibly important institutions woven into the fabric of America. They have played such an important role in achieving progress for African Americans and in our nation's march for justice.
If you have money draining out of the public equity markets, that inevitably affects the private equity market. They cannot exist going in different directions because somehow that will rent the fabric of the universe. It's just not permitted that that happens. Obviously there can be anomalies for brief periods of time but it just can't happen forever.
What is conserved in the ground? Stone, bronze, ivory, bone, sometimes pottery. Never wood objects, no fabric or skins. That completely skews our notions about primitive man.
I don't think I'm wrong when I say that the most beautiful objects of the "stone age" were made of skin, fabric, and especially wood. The "stone age" ought to be called the "wood age." How many African statues are made of stone, bone, or ivory? Maybe one in a thousand! And prehistoric man had no more ivory at his disposal than African tribes. Maybe even less. He must have had thousands of wooden fetishes, all gone now.
I was always a mad scientist type - an inventor and just a generally inventive person, and that has remained the same. But one thing that *has* changed is that I've always been aggressively pro-business, with the mentality that whoever pays me, gets me - but now, I'd rather be broke than contribute to destroying the world my son is inheriting - both the social fabric, and obviously the environmental.
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