Some say no evil thing that walks by night, In fog or fire, by lake or moorish fen, Blue meagre hag, or stubborn unlaid ghost That breaks his magic chains at curfew time, No goblin, or swart fairy of the mine, Hath hurtful power o'er true virginity.
O' beautiful for spacious skies But now those skies are threatening They're beating plowshares into swords For this tired old man that we elected king Armchair warriors often fail And we've been poisoned by these fairy tales The lawyers clean up all details Since daddy had to lie But I know a place where we can go And wash away this sin We'll sit and watch the clouds roll by And the tall grass wave in the wind Just lay your head back on the ground And let your hair spill all around me Offer up your best defence But this is the end This is the end of the innocence
We have been poisoned by fairy tales.
....This world needs Utopias as it needs fairy stories. It does not matter so much where we are going, as long as we are making consciously for some definite goal. And a Utopia, however strange or fanciful, is the only possible beacon upon the uncharted seas of the distant future.
It just wasn't the fairy tale I had hoped for.
The unblemished ideal exists only in happily-ever-after fairy tales. Ruth likes to say, "If two people agree on everything, one of them is unnecessary." The sooner we accept that as a fact of life, the better we will be able to adjust to each other and enjoy togetherness. "Happily incompatible" is a good adjustment.
The naive was only a part of my fairy tales; humour was the real salt in them.
Only with the Internet can a peasant I have never met hear my voice and I can learn what's on his mind. A fairy tale has come true.
William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told cosmic stories, Dickens told melodramatic ones, Plutarch told histories and Hans Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well that they have become immortal. In all the world of storytelling he has become the greatest name.
A massive and brilliant accomplishment--the first English translation of the original Grimm brothers' fairy tales. The plain telling is that much more forceful for its simplicity and directness, particularly in scenes of naked self-concern and brutality. Hate, spite, love, magic, all self-evident, heartbreaking, delightful. I will return to this book over and over, no doubt about it.
My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.
The delight we experience when we allow ourselves to respond to a fairy tale, the enchantment we feel, comes not from the psychological meaning of the tale (although this contributes to it) but from its literary qualities-the tale itself as a work of art.
Everything that I have told you is, of course, a fairy tale. Life is magical, after all. Nothing is safe and everything changes.
And you must tell the child the legends I told you - as my mother told them to me and her mother to her. You must tell the fairy tales of the old country. You must tell of those not of the earth who live forever in the hearts of the people.
The idea that somebody else is going to swoop down and play the fairy godmother role is pretty unlikely, so why not take care of yourself?
Magical, yes, but THE SNOW CHILD is also satisfyingly realistic in its depiction of 1920s homestead-era Alaska and the people who settled there, including an older couple bound together by resilient love. Eowyn Ivey's poignant debut novel grabbed me from the very first pages and made me wish we had more genre-defying Alaska novels like this one. Inspired by a fairy tale, it nonetheless contains more depth and truth than so many books set in this land of extremes.
Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historica l, macrocosmic triumph. Whereas the former-the youngest or despised child who becomes the master of extraordinary powers-prevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole.
We cannot, of course, disprove God, just as we can't disprove Thor, fairies, leprechauns, and the Flying Spaghetti Monster. But, like those other fantasies that we can't disprove, we can say that God is very, very improbable.
I fell in love with acting at around the age of 11, when I was drafted in to play a fairy at an amateur production of 'Midsummer Night's Dream.'
I think that people who can't believe in faeries aren't worth knowing. I just think that alternate realities make you a good writer. If your work is any more than one dimension, you believe in faeries.
When one of Lisa's baby teeth fell out here, the tooth fairy left her 50 cents. Another tooth fell out when she was with her father in Las Vegas, and that tooth fairy left her $5. When I told Elvis that 50 cents would be more in line, he laughed. He knew I was not criticizing him; how would Elvis Presley know the going rate for a tooth?
People told me I can't dress like a fairy. I say, I'm in a rock band and I cand do whatever the hell I want!
If you have fairy blood, even in the tiniest degree, you must live close to Fairy Land, and eat a little fairy food, or else you will always be hungry.
Like a grindhouse version of Grimm's Fairy Tales, Wallwork's fiction is smart, innovative, and a hell of a lot of fun.
I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.
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