Vices that are familiar we pardon, and only new ones reprehend.
If there is any reason to single out artists as being more necessary to our lives than any others, it is because they provide us with light that cannot be extinguished. They go into dark rooms and poke at their souls until the contours of our own are familiar to us.
death ... so seldom happens nowadays in the awesome quiet of a familiar chamber. Most of us die violently, thanks to the advance of science and warfare. If by chance we are meant to end life in our beds, we are whisked like pox victims to the nearest hospital, where we are kept as alone and unaware as possible of the approach of disintegration.
As I holed up in the City of Angels, I was also aware of a comforting feeling of anonymity. In the world's biggest third-class city I could pass unnoticed. I spoke the language. I was familiar with the currency. I could drink the water. I could almost breathe the air, late April air, compounded of interesting hydrocarbons.
Behind us, as we go, all things assume pleasing forms, as clouds do far off. Not only things familiar and stale, but even the tragic and terrible, are comely, as they take their place in the pictures of memory.
The study of tools as well as of books should have a place in the public schools. Tools, machinery, and the implements of the farmshould be made familiar to every boy, and suitable industrial education should be furnished for every girl.
Each moment is new. We have never lived it before and will never live it again. It is familiar and unfamiliar at the same time.
There's a paradox in rereading. You read the first time for rediscovery: an encounter with the confirming emotions. But you reread for discovery: you go to the known to figure out the workings of the unknown, the why of the familiar how.
Honesty is the best policy, says the familiar axiom; but people who are honest on that principle defraud no one but themselves.
Sometimes the last thing learners need is for their preferred learning style to be affirmed. Agreeing to let people learn only in a way that feels comfortable and familiar can restrict seriously their chance for development.
... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in one's mind which is not familiar to the mass of persons living at the time.
While it may not heighten our sympathy, wit widens our horizons by its flashes, revealing remote hidden affiliations and drawing laughter from far afield; humor, in contrast, strikes up fellow feeling, and though it does not leap so much across time and space, enriches our insight into the universal in familiar things, lending it a local habitation and a name.
Most of the time, I'm working in places I'm not familiar with. Sometimes it's Slovakia, and sometimes it's Hawaii. Not to bash on Slovakia, but I really did enjoy Hawaii.
I read a random issue when I was a kid, but no, I wasn't super familiar with the characters [Captain Victory] until I started researching them. What I found once I started reading back issues however, was this crazy, sprawling, [Jack] Kirby space epic.
Anywhere in New York, anywhere in the country, somewhere there's going to be a Coke sign. People identify with Coke. You can write a novel about New York and people from the country will read it if they feel that you've made them familiar with New York.
At first you're doing it for yourself, it's about what sounds good to you. It's about expressing yourself. Then you get comfortable as an artist and you find yourself and people get familiar.
I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.
When you teach on a familiar text, you're capitalizing on common knowledge. When you teach on an unfamiliar text, you're having to build a bridge of understanding, and we need to do that as well.
You make sexiness strong by balancing it out: something familiar with something unfamiliar, something masculine with something feminine, something streamlined with something rococo. It's a Yin and Yang. Women are made of layers, your mood shifts, no one is neither one extreme nor the other.
You have this idea that you think is awesome. You want to have that broadest group you possibly can. You don't want to just talk to 1 type of person and learn that, you want to get familiar with the space.
As a student in England, I studied French and English literature. I read L'Etranger and the rhythm of the novel felt familiar to me - very African.
If a book has a predictable storyline or familiar situations, there's little satisfaction for me in writing it. A woman deciding which man she'll spend her life with? I've read that story a million times, but a stepmother deciding which of her children she'll save in a freak accident? Now that's a challenge.
In America, there is no racial segregation. I'm not sure I'm quite familiar with this phrase.
I'm always interested in something when it isn't familiar to me.
I can tell that in Refuge the question that was burning in me was, how do we find refuge in change? Everything around me that was familiar had been turned inside out with my mother's diagnosis of ovarian cancer and with the Bear River Migratory Bird Refuge being flooded.
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