Music keeps you eternally young. It just does. What I love about it now is touring without the guilt. Now it's like nothing is being held back. You get to eat mashed potatoes with both hands instead of one. It's fantastic.
There's a great legacy before me. Many, many fantastic actors, artists, writers have come before me and created Superman. I'm very honored to be able to be a part of it.
Here's my take, for what it's worth: I think that a lot of people in the US, as well as other countries, have the idea that animation is primarily for children, and kids like to be entertained! And animated films here tend to have crazy fantastic situations that would be difficult to do in live action, like with talking animals or monsters or whatnot, and that lends itself well to comedy, I think.
I've always felt that the writing I responded to most - the novels and stories that compelled me, that felt like they described the world I live in, with all of its subjectivity, irrationality, and paradox, were those which made free use of myths and symbols, fantastic occurences, florid metaphors, linguistic experiments, etcetera - to depict the experiences of relatively 'realistic' characters - on the level of their emotions and psychology, rather than in terms of what kinds of lives they led or what kind of events they experience.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
I am one who is very meridione - Southern Italian. I am proud of this. I design everything with my team, which is fantastic and small. I design by look. For example, people always comment to me, "When you do men's shirts, you always keep them closed on the catwalk." That's my thing.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
Now I'm sixty-one... sixty-two, pretty soon. It's a really interesting age. Now we have women of your age, and coming up, and all these fantastic writers, who have managed to have their children but continue with their art, their work. I think women are doing the most interesting writing right now, the most interesting art. I see everything through this lens, of women finally taking their place in the world. Their true place. And it's very, very exciting to me.
I'm not one of these people who is sour about academia. I'm very lucky not to be in academia, but I am an absolute parasite. While I was writing my book on comparative philosophy I was drawing on some fantastic scholars - university based people. The academy is absolutely necessary, but there should also be a role for those bringing it together. It's such a frustration sometimes.
I really wanted to maintain that bedroom philosophy to creating stuff. I don't believe the hype; I think a great record is because I put a lot of love into it. If people are feeling it, that's fantastic.
I do like Canadian poetry. Christian Bök, Anne Carson, Carmine Starnino, and Don McKay are a few of the Canadian poets whose work has been important to me. But I'm not sure that I do see poetry as a world apart. Some of my metaphors are based in the fantastic, but I try to be true to life as I understand it. That understanding is affected by my Canadianness, my Americanness, my whiteness, my gender, my age, my education, my experience...everything about me affects my view of reality. But I try to wrestle against those partialities, not embrace them.
We have really, really good-looking men who work for our network, and that's never brought into question. Our men dress very well, and look fantastic in a suit, and not once is that ever talked about. I can be called out on the Internet or in newspapers for asking a question, but if a male asked the same question, it would never be a topic.
You tour and you work hard and you take care of your fans and very real things lead to other real things. There's never been some fantastic fluke or break in my career, it has all been very slow and steady.
It's a do-it-yourself kind of era with these pieces and bits of technology called iPhones. You can film your own stuff and throw it up on YouTube, I think is just a fantastic novelty and opportunity for young actors, young filmmakers to learn and hone their craft.
All my favorite artists are downtempo - Portishead, Burial, a lot of 1990s trip-hop. Some people are saying that I'm trying to help with the trip-hop revival that's possibly going on, but I'm not aware of other artists that are necessarily doing that. But if they are, that's fantastic. It's a great medium of electronic music. There's a lot of emotion - it's good for soundtracking a late-night drive.
Steven Pinker says, the invention of printing and the widespread appearance of fiction - this taught empathy. If you read a novel, you're in someone else's head, in three, five different people's heads. Suddenly, the principle of "Don't do anything to anyone that you wouldn't want done to you" becomes real in people's minds. That's a fantastic achievement if fiction is indeed partly responsible for it. That's a great thing to be a part of. In the end, then, I don't know if writers have legislated, but they have civilized.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
One of my problems with religion is that it's limiting in so many ways. I remember the first time I took a humanities class, I thought, I can't believe this. This is fantastic. This is what I want my life to be. When I was a young person, I did a lot of dabbling in Eastern religions, and it was very satisfying in some ways, but there's that limitation always, which I find myself bridling against.
Facebook is fantastic because it gives me contact with my fans, but I feel like it's not about the music anymore - it's about how many friends you have on Facebook and your Instagram pictures. I hate that. I feel so bad for the talented new bands that are working so hard, and they have to fight with these monsters where it's all about the appearance. I don't want to be a part of that - going to a festival and taking a selfie on stage. I feel like it's such bad publicity for music and for true artists, and I'll try to fight as hard as I can to not be like that.
Being happy is not all about love! Love is not everything. Work, friends, and achieving things... your finite thing in life can't be getting married and having children. Like, creating a life for myself that's my own, and my own road? That was always the most important thing for me. Right now, I have a kid and stuff, and it's fantastic to be a mother, but it's not the final thing. You want to stay an individual. You need to stay an individual for your kid, as an example of what a human being should be! You want to stay true to yourself and not become a half a person. That is so, so important.
The only real reason that I'd have for working for Hollywood is the fantastic amounts of money involved, and that isn't enough of an incentive to really give up the degree of control that I have over my work at the moment with comics. I suppose that's probably why I don't have any designs on being a screenwriter.
What is fantastic for me is that the Romantic movement comes out as a counter balance to everything that has been accumulating since the Age of Reason. I think the downfall of imagination as a genre or as a perception starts with the Age of Reason, which says everything else that came before us, all those superstitions, all those myths, are childish.
I love what I do and I adore this whole world. I'm able to meet fantastic people. I meet fantastic writers, I meet architects, I meet incredible talent. Fashion is really a world, besides the creation, that I think is super interesting, super inspiring.
My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
Social media is a giant distraction to the ultimate aim, which is honing your craft as a songwriter. There are people who are exceptional at it, however, and if you can do both things, then that's fantastic, but if you are a writer, the time is better spent on a clever lyric than a clever tweet.
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