I have a sense of greatness, which comes from feeling that I'm doing what I'm supposed to be doing on the planet - empowering people, especially women.
A child who has a grandparent has a softened view of life, the feeling that there is more to life than what we see, more than getting and gaining, winning and losing.
The proper stuff of fiction' does not exist; everything is the proper stuff of fiction, every feeling, every thought; every quality of brain and spirit is drawn upon; no perception comes amiss.
I'm fundamentally, I think, an outsider. I do my best work and feel most braced with my back to the wall. It's an odd feeling though, writing aginst the current: difficult entirely to disregard the current. Yet of course I shall.
A distinction has been made between acuteness and subtlety of understanding. This might be illustrated by saying that acuteness consists in taking up the points or solid atoms, subtlety in feeling the air of truth.
Most of the work that's done in the world gets done by people who weren't feeling all that well at the time that they did it.
The essence of humor is sensibility; warm, tender fellow-feeling with all forms of existence.
How unnatural the imposed view, imposed by a puritanical ethos, that passionate love belongs only to the young, that people are dead from the neck down by the time they are forty, and that any deep feeling, any passion after that age, is either ludicrous or revolting!
My own feeling is that the only possible reason for engaging in the hard labor of writing a novel, is that one is bothered by something one needs to understand, and can come to understand only through the characters in the imagined situation.
Poetry is a dangerous profession between conflict and resolution, between feeling and thought, between becoming and being, between the ultra-personal and the universal - and these balances are shifting all the time.
The drama is not a mere copy of nature, not a facsimile. It is the free running hand of genius, under the impression of its liveliest wit or most passionate impulses, a thousand times adorning or feeling all as it goes; and you must read it, as the healthy instinct of audiences almost always does, if the critics will let them alone, with a grain of allowance, and a tendency to go away with as much of it for use as is necessary, and the rest for the luxury of laughter, pity, or poetical admiration.
A scholar's heart is a dark well in which are buried many aborted feelings that rise to the surface as arguments.
We are always bargaining with our feelings so that we can live from day to day.
Jealousy is the very reverse of understanding, of sympathy, and of generous feeling. Never has jealousy added to character, never does it make the individual big and fine.
A man may be cheerful and contented in celibacy, but I do not think he can ever be happy; it is an unnatural state, and the best feelings of his nature are never called into action.
Mr. [Aldous] Huxley has been the alarming young man for a long time, a sort of perpetual clever nephew who can be relied on to flutter the lunch party. Whatever will he say next? How does he think of those things? He has been deplored once or twice, but feeling is in his favor: he is steadily read. He is at once the truly clever person and the stupid person's idea of the clever person; he is expected to be relentless, to administer intellectual shocks.
Wariness had driven away poetry; from hesitating to feel came the moment when you no longer could.
An intense feeling carries with it its own universe, magnificent or wretched as the case may be.
Retirement revives the sorrow of parting, the feeling of abandonment, solitude and uselessness that is caused by the loss of some beloved person.
When the mind loses its feeling for elegance, it grows corrupt and groveling, and seeks in the crowd what ought to be found at home.
Poetry can open locked chambers of possibiity, restore numbed zones to feeling, recharge desire.
As the networks evolve, so do my opinions toward them, and my divergent feelings bring out conflicting points of view. In advance, I apologize to those who expect a consistent position from me.
I'm beginning to feel that the real endangered species on planet earth are not the whales and the elephants but those of us who can laugh at the world and ourselves. ... I fear the dry turn of the American mind, this focus on the literal, as much as I fear our capacity for self-destruction. We've become hagridden by facts, obsessed with product instead of process. Where's the energetic wit, the looney outlook, the frivolity, the lightness of comforting laughter? It has become fashionable to know and unfashionable to feel, and you can't really laugh if you can't feel.
Mother believed in enjoying herself. Aunt Mimi believed in enjoying herself, then feeling guilty about it.
In How to Be an American Housewife Margaret Dilloway creates an irresistible heroine. Shoko is stubborn, contrary, proud, a wonderful housewife and full of deeply conflicted feelings. I wanted to shake her, even as I was cheering her on, and this cunningly structured novel allowed me to do both. It also took me on two intricate journeys, from post-war Japan and the shadow of Nagasaki to contemporary California, and from motherhood to daughterhood and back again. A profound and suspenseful debut.
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