I have never felt brutalized as an actor. Many actors do, some times, but I've never had that experience. If I'm not happy with the balance, I just won't work with that person again.
I love writing, but I stopped because I felt I was more effective approaching filmmaking from a different vantage point.
My heart and passion has always been to reform the criminal justice system. I want to be a public servant, and I wanted to be a prosecutor because I felt it was the best way forward.
I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.
I've always felt that no one understands why some books of non-fiction endure and some don't, because there's not much understanding among many non-fiction writers that the narrative is terribly important.
Hitchhiking, intrinsically, is sexual and dangerous. At the same time I never really felt scared. I was scared that nobody would pick me up and that I'd be waiting by the side of the road for a week.
I always felt like an outer-space alien. I was always breaking the fourth wall.
The State of New York City says in defense you can use as much force as you feel like the person that is coming for you with. So if I'm wrong than the law is wrong. That's really the way I felt.
I felt I should have been taught about the landmine problem. It made me suddenly realize certain things about the world and how much I had to learn, like the history of the people.
I felt like looking at the season to this point, we probably hadn't taken enough shots downfield to loosen thing up, ... It does serve a purpose even if you don't hit it. There's nothing that will get a cornerback to back off a little bit than knowing he got beat even if you hit it or not.
I felt I was owned by possessions.
To this day, The Duke and I remains particularly close to my heart; I felt it was the novel in which my writing took a huge leap forward.
I felt that I didn't want to be in show business anymore. I felt that I wanted to be a farmer. I was milking cows and shoveling terrible stuff and working all day. By the end of the day, all I wanted was my tap shoes - I thought, 'What am I doing? I better get back where I belong on the stage where we work at night and can sleep late!
Culture shock is often felt sharply at the borders between countries, but sometimes it doesn't hit fully until you've been in a place for a long time.
It always seemed to me like it was a significant thing to do with one's life to be an actor 'cause I love movies and I felt like, not to be grandiose about it, but there is something important about film with the function it provides to general society.
I felt bad for that world that we have given a generation of kids.
I've often felt that life is a hard deal and it's unrelentingly tragic and an uphill fight.
I've never really taken myself too serious. That's everybody else, listening to the music or whatever. I've always said what I've felt, said what I thought was right, but I've always had a comedic bone.
Barry Bonds is outspoken. I think that the people of Pittsburgh felt, it's a syndrome of you've got to apologize for being successful if you're successful (as well as) black and outspoken.
I've always been interested in electronica, techno, trip-hop, that kind of music. The thing that bothered me about a lot of that music, though, was it seemed devoid of emotion. There wasn't a lot that felt personal.
The writing process was some of the most exciting and rewarding moments of my life. It felt a lot like being in a band.
I have always felt compassion for the planet. Sometime I just start to get emotional. I cry because I can almost feel the pain in the air. I put it in words and in song and in dance I think that is what artistry is.
Younger feminists actually care about stuff that came before them, the same way that I totally cared about and loved and felt so lucky to have access to the feminism that came before me. To have younger people take what me and my friends have done, and to say 'We have access to that, but we're going to put that through our own Internet generation filter and we're going to make it into something that speaks to us and is a lot smarter.'
I was the kind of entrepreneur that never really felt I made it. When Mike Olefield's "Tubular Bells" [Virgin Records' first release] sold 8 or 10 million copies, I suppose, at age 19, I could've possibly retired on the money. Instead, I immediately pushed the boat and took that risk again.
Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.
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