I think about how we can't always live in the moment because moments pass, and when we're lucky, we have the kind of moments that we can't help wanting to go back to. We think about them, remember how they felt, and when more time passes we tell stories of these moments that are worth reliving.
I did not survive everything. No one ever does. Little pieces of you - sometimes the best of you - get lost in a little lie here, a little joke there. And of course, the aftereffect is the tiny sob - unseen, unheard, deeply felt.
In opening your doors to woman, it is mind that will enter the lecture room, it is intelligence that will ask for food; sex will never be felt where science leads for the atmosphere of thought will be around every lecture.
... most Southerners of my parents' era were raised to feel that it wasn't respectable to be rich. We felt that all patriotic Southerners had lost everything in defense of the South, and sufficient time hadn't elapsed for respectable rebuilding of financial security in a war- impoverished region.
Leaving wasn't a personal thing where I intentionally wanted to stick it to management or anyone. This is business. I felt I should have been rewarded for helping the Indians turn around a half century of losing. It was a shame they decided to treat me that way, after all I did for them. I helped this team go from one-hundred six losses to basically one-hundred six wins and into the World Series. And what do I get for it? Nothing.
[Ella Baker]'s second defining characteristic was her dislike of top-down leadership... 'She felt leaders were not appointed but the rose up. Someone will rise. Someone will emerge'. It was an attitude Baker shared with some of the older women in the movement.
Winning the Super Bowl was obviously a great one, but the joy I felt of going to the Super Bowl, it was what I felt about the Pittsburgh Steelers and where we came from, the history of us to that point.
The first day I walked into prison, and he slammed that door, I knew the magnitude of the decision that I made, and the poor judgment, and what I allowed to happen to the animals. And, you know, its no way of explaining the hurt and the guilt that I felt. And that was the reason I cried so many nights.
To this day, The Duke and I remains particularly close to my heart; I felt it was the novel in which my writing took a huge leap forward.
Everyone felt like they knew Ray Charles and in a way they did, because he was embodied by his music.
The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.
Android is a new form of the other, but you can parallel the other to so many different types of people. Even if you don't consider yourself to be the other, at one point in time I'm sure you felt like that.
I felt bad for that world that we have given a generation of kids.
I was not happy as a traveller, I did not feel really at home anywhere I went, even in Spain which was the most I felt at home, I still was a foreigner. I missed Australia, and I can't tell why. It's just this is what I grew up with and this is the things I wanted to make meaning of in my life.
I just don't feel like - I've never felt like - part of the entertainment industry. I still just feel like I'm trying to work my way in. And that's weird.
I have sat with the mothers who have lost addicted sons. I have sat with families of kids who have been killed in drug-related gang violence. I have been to the prisons. I have seen the effects. At some point in time, I felt I had to do something other than write a novel about it, that I needed to try to make some sort of contribution, at least try to make some sort of difference in the real world.
I've always been interested in electronica, techno, trip-hop, that kind of music. The thing that bothered me about a lot of that music, though, was it seemed devoid of emotion. There wasn't a lot that felt personal.
My biggest fear is overreaching. I have been in situations where I felt swamped, and it's turned out really well; and I've had other situations where I've had to walk off the film after five minutes because I realized I was in way over my head.
Spike Lee made such a difference in terms of black filmmakers, the subtleties - those authors, those writers who write from love, and those who write from that lofty position of superiority.I felt he took aspects of the black experience in America and held it up for us to see. He tried to put it in perspective. He did put it in perspective in his unique way.
I saw a video on YouTube of a girl who had very similar reactions to late-stage Lyme disease as I did. And I thought it was crazy. And when I saw her basically have a seizure on camera that looked very much like my seizure I felt, "Oh my god. That's me." And so it was really important to me, and I said to Sini, 'We have to find some way to not just talk about Lyme disease, but to show it.
I was the kind of entrepreneur that never really felt I made it. When Mike Olefield's "Tubular Bells" [Virgin Records' first release] sold 8 or 10 million copies, I suppose, at age 19, I could've possibly retired on the money. Instead, I immediately pushed the boat and took that risk again.
I never really felt secure until I was well into my 30s, because anytime I had success, I would invest in new projects.
I've never been put down by a man, unless I deserved it, and have never felt inferior.
I fell in love. It felt exactly like a fall, a head-over-heels tumble into a state of unbearable lightness. The earth tilted on its axis. I did not believe in romantic love at the time, thinking it a human construct, an invention of fourteenth century Italian poets. I was as unprepared for love as I had been for goodness and beauty. Suddenly, my heart seemed swollen, too large for my chest.
Public school felt like prison - cinderblock walls, fluorescent lights, metal lockers. It was so sterile and unstimulating.
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