I've never really taken myself too serious. That's everybody else, listening to the music or whatever. I've always said what I've felt, said what I thought was right, but I've always had a comedic bone.
I had been writing comic books for years and I was doing them to please a publisher, who felt that comics are only read by very young children or stupid adults. And therefore, we have to keep the stories very simplistic... And those were all things I hated.
I've often felt that life is a hard deal and it's unrelentingly tragic and an uphill fight.
It always seemed to me like it was a significant thing to do with one's life to be an actor 'cause I love movies and I felt like, not to be grandiose about it, but there is something important about film with the function it provides to general society.
Leaving high school. It's sad and you're going to miss all your friends. You're going to miss your life and you've been doing that for the past four years, and it's comfortable. But now, there's something possibly bigger on the horizon, just new and fresh and exciting. I think we all kind of felt like that.
Once I started doing stand-up, everything fell into place. That was when I started acting more; I felt like I'd found my place in the business.
I've never been put down by a man, unless I deserved it, and have never felt inferior.
I was the kind of entrepreneur that never really felt I made it. When Mike Olefield's "Tubular Bells" [Virgin Records' first release] sold 8 or 10 million copies, I suppose, at age 19, I could've possibly retired on the money. Instead, I immediately pushed the boat and took that risk again.
The writing process was some of the most exciting and rewarding moments of my life. It felt a lot like being in a band.
I felt bad for that world that we have given a generation of kids.
Everyone felt like they knew Ray Charles and in a way they did, because he was embodied by his music.
I don't want to waste the precious moments I have, and I've felt that way since I was 17. I have to take risks because why else would you be alive? Put your pirate patch on and go on an adventure because you only have one life to live.
My biggest fear is overreaching. I have been in situations where I felt swamped, and it's turned out really well; and I've had other situations where I've had to walk off the film after five minutes because I realized I was in way over my head.
To this day, The Duke and I remains particularly close to my heart; I felt it was the novel in which my writing took a huge leap forward.
Public school felt like prison - cinderblock walls, fluorescent lights, metal lockers. It was so sterile and unstimulating.
I've always felt that if I am deserving of the Medal of Honor, there are many, many others who are. I felt a little bad receiving it, so I received it on behalf of the fellows, because there's no such thing as a single-handed war. There's always a support group, and if you didn't have people who supported you, you couldn't fight a war.
The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.
I have never had a man give me money. I've always been the provider. I have always been the one who went out and earned, and I've never felt unequal in that way.
I fell in love. It felt exactly like a fall, a head-over-heels tumble into a state of unbearable lightness. The earth tilted on its axis. I did not believe in romantic love at the time, thinking it a human construct, an invention of fourteenth century Italian poets. I was as unprepared for love as I had been for goodness and beauty. Suddenly, my heart seemed swollen, too large for my chest.
Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.
I never really felt secure until I was well into my 30s, because anytime I had success, I would invest in new projects.
Spike Lee made such a difference in terms of black filmmakers, the subtleties - those authors, those writers who write from love, and those who write from that lofty position of superiority.I felt he took aspects of the black experience in America and held it up for us to see. He tried to put it in perspective. He did put it in perspective in his unique way.
I have always felt compassion for the planet. Sometime I just start to get emotional. I cry because I can almost feel the pain in the air. I put it in words and in song and in dance I think that is what artistry is.
I just don't feel like - I've never felt like - part of the entertainment industry. I still just feel like I'm trying to work my way in. And that's weird.
I was not happy as a traveller, I did not feel really at home anywhere I went, even in Spain which was the most I felt at home, I still was a foreigner. I missed Australia, and I can't tell why. It's just this is what I grew up with and this is the things I wanted to make meaning of in my life.
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