I've always loved the drama and the creating of a role and performance and all that comes with that, but I then also kind of like to have just the white picket fence life if that makes sense.
[On swinging for the fences] Ultimately, you have the potential to build a significant business with the potential to have a positive impact on millions of people's lives.
There are many poor men and poor women: set apart some one constantly to remain there: let the poor man be though but as a guard to thy house: let him be to thee wall and fence, shield and spear. Where alms are, the devil dares not approach, nor any other evil thing.
Amid the cheering of the crowds, he hardly heard his master's voice, but he saw the familiar head and shoulders, and the bright flag he was waving. He raced toward the seven-foot fence; without apparent effort he rose in the air and cleared the top with a good hand-breadth to spare; then dashed up to his master that he loved, and gamboled there and licked his hand in heart-full joy. Again the victor's crown was his, and the master, a man of dogs, caressed the head of shining black with the jewel eyes of gold.
Romance isn't about proving to someone you love them with flowers and greeting cards and chocolate. Or even a lock on a fence. It's a daily reminder. It's saying, I choose you. Today and every day.
It is a thought as sweet as heaven to know that in the minds of each of us the may by the fence still blooms in an eternal springtime; that the snowdrop has in our hearts a triple birth, and blooms in three separate minds, faultlessly... So that if all the flowers and grasses and hollows and hills of the old house were razed and mutilated - as they are now, I suppose - we keep them intact in three minds, each depending on the other to supply it with the delicate minutiae of remembrance.
There's no worse feeling than being in front of a guy with six-pack abs, muscles popping out of his shoulders, veins popping out of his arms, and you know he's swinging for the fences, in front of all your friends and family, and you can't breathe. You can't breathe no matter how much moves you know. You start to panic. You start to feel a drowning sensation. It's the worst feeling in the world.
What I like about prose poems is that they seem to make people uncomfortable - people want to define them, justify them, attack them. Prose poems are natural fence-sitters.
We see every day that our very laws have both sides of the fence.
You could be in the gutter and fall in love with someone, and you feel great. That's my honest opinion. I've witnessed both sides of that fence and being in love is where it's at.
I was always the underdog that everyone identified with, and I still think I'm that way. But if you're on the other side of the fence on a certain issue, your opinion is going to change. And that was the part I was scared of, because I built my reputation on being this guy who's all about football - and I am, and I'm still the same guy, that doesn't change.
Who will mourn the passing of our magnificent kangaroos? Who will remember how the bush once danced in rhythm with the thumping, jumping kangaroos who flew over fences their great tails drumming on the earth? Who will remember the big red male kangaroo lying in the desert sun, his coat almost indistinguishable from the red earth from which he came?
A lot of times in parks the large dogs and little dogs separate. That creates the opposite of social. Sometimes dogs run back in forth with a fence dividing them so it is fence fighting with social interaction.
All I want to say is that anybody, well, from the Democratic side of the fence who thinks that - who's terrified of the possibility of President [Donald] Trump better vote, better get active, better get involved, because this man has got some momentum and we better be ready for the fact that he might be leading the Republican ticket.
Too many of the organizations I have observed resemble a farm in Kansas. They have lots of fences and silos as well as a storm cellar.
When you're trying to please both sides of the fence at the same time you really can't do that.
I read that Hollywood wanted to film Fences years ago with a white director, but [August] Wilson refused. He thought that the director needed to have lived the culture of black Americans.
Even though the story [Fences] is set during the 1950s, some contemporary women might have trouble understanding her decision.
I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.
[Fences] is just a great play to bring to the screen.
It just happened that we did [Fences] seven years ago on Broadway. Scott Rudin brought me August Wilson's original screenplay for it, and I realized I hadn't read the play. So I read it. Then I realized that Troy (my character) was 53 - and I was 55 at the time. I realized I better hurry up! I might be too old!
[Movie "Fences"] is more than holds up today. We have had a tremendous response at the screenings.
We just had to stay out-of-the-way [in Fences]. [August Wilson] already wrote a masterpiece. And you really don't know how it's going to work until you get it in front of an audience.
I've put live performance in a lot of spaces. Part of what I want to do is take over the takeover. Another way that someone put it is, you climb over the fence and you cut a hole in it, and let everyone else in. That's kind of what this is. The museum is a repository of great works, but there is certain work that no one ever calls great. This is an insistence on directing their attention to other stuff that's great, that never gets to be in a museum.
In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."
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