The truth is, poverty's the environment for alcoholism, and the reservations aren't rich. Maybe cleaning people up in fiction is just as dangerous as presenting them unfiltered.
I love writing fiction - you can take just what you want from a place, and leave the rest.
I don't write non-fiction because I get bored. Some of my writing is autobiographical, but not the way readers imagine. I use my memory of settings, events and people. I weave history into my stories, but my narratives are made up.
I have to say that writing about my writing process is more daunting than writing non-fiction.
It's always difficult to write honestly of one's deepest feelings, particularly without the protective veil of fiction. But the more difficult, the more rewarding if one succeeds. Rewarding not only to the work but to one's peace of mind.
The movement for women's liberation was about an emotional transformation, an explosion, a feeling all over the country that things must be different, and ideas about how they should be. I think fiction can capture that kind of thing better than other genres because in fiction you can explore the feelings of your characters - the before and the after.
Fiction is ideally suited to re-creating the important emotional aspects of history.
To be perfectly frank: I don't write women's fiction. I write intimate, gritty, realistic, character-driven fiction that happens to be thrown into the women's fiction category.
My father's death when I was eighteen and his struggles as a Jewish immigrant provided me with the raw material, but for a long time I went from painting to fiction and then finally to poetry before I could find the right way of telling this story.
When fiction writers like my poems I feel like I've hit the jackpot.
It takes a certain kind of mind to narrate, to work through character motivation, to be unforgiving to one's writer-self when it comes down to creating the minutiae of detail. Writing fiction requires stamina, a sense of how people's lives work, how people work toward and against one another and, above all, precision.
The fiction writer has a lot of balls to juggle. Setting, pacing, dialogue, and so on. And let's not forget: plot. That was always a hard one for me. And I always had this spastic tendency to wrap up a story before I'd seen it the whole way through, a sort of writer's pre-ejaculatory tendency: "The End!"
I want my fiction to feel real most of the time, so it makes sense to pay attention to life and to how people work.
One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out.
I read fiction all the time. It's true that I don't like fantasy or science fiction. I like "realistic" novels, particularly those in which nothing much ever happens.
If someone doesn't like your fiction, it's really insulting.
You can tell within a sentence if something is fiction or non-fiction. You can tell in the artifice of the language or the care of the construction the difference between art and life.
There are writers who draw immediate attention to the fact that it's fiction. And I like some of that, but it doesn't really have the power.
In some ways truth is stranger than fiction.
Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation.
Many years ago I had two small children, and I wanted to be able to be home when they got home from school. And I didn't like the direction journalism was taking. I thought if I could write books, I could work at home and have the best of both worlds. I wrote my first mystery while still working full time, and it didn't sell, but the next one did sell, so I quit my job for the world of fiction. Scary, but I've never regretted it for a single day.
If you start looking at movies on a moral level - "I don't like that, that hurts, that's mean, that's bad" - then I don't even want to talk to you. Or like, someone that says "I don't like science-fiction movies," or "I don't want to sit through a Western," or "I don't like violence in movies," then I completely tune out.
I lay off a lot modern fiction and only rely on living writers for non-fiction work.
After having read a lot of fiction, literature, whatever you want to call it, from Wolfe to Houellebecq, I think you have to have an understanding and insight of the human condition that is informed and motivated by a desire to immerse yourself in the human world and bring these stories to bear.
I think to write fiction, this is just how I see it, you have to have a powerful need/desire to connect. I can't. Wanting to and not being able to has lead to a lot of misery in my life.
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