I do 30 to 40 books a year, so it's a fair amount of reading. Back and forth between nonfiction and fiction. I usually have three or four things that are open on my desk, on my bed, on audiobook in the car.
I hardly ever read mainstream fiction that deals with life as it is. I like an element of fantasy, something that isn`t quite of the real world.
Any woman who wishes to be an intellectual, to write non-fiction, to deal with theory, faces a lot of discrimination coming her way and perhaps even self-doubt because there aren't that many who've gone before you. And I think that the most powerful tool we can have is to be clear about our intent. To know what it is we want to do rather than going into institutions thinking that the institution is going to frame for us.
Most of what I want to try to do is continue to go places with fiction that I've never gone before, and tell stories I've never told before, and one of the problems you rapidly discover about fans is what fans want is the last thing they liked. They want more of that.
Let me roughly divide books into those which compete with the movies and those with which the movies cannot compete. They are the books that can elevate or instruct. If they are fine works of fiction, they can deepen your appreciation of human life. If they are serious works of nonfiction, they can inform or enlighten you.
Sometimes strange fiction, becomes grim reality.
Pulp Fiction is my favorite movie of all time.
I've always been drawn to historical fiction.
As a child I always steered clear of science fiction, but in the autumn of 1977 the bow-wave of publicity for the first Star Wars movie had already reached me, so I was eager for anything science-fictional.
I never would have guessed I would be making science fiction and horror films.
Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read.
Sometimes people talk about conflict between humans and machines, and you can see that in a lot of science fiction. But the machines were creating are not some invasion from Mars. We create these tools to expand our own reach.
I believe some people are just too damn smart to write fiction.
I had a ludicrous childhood, but I feel that I was able to profit from a lot of the idiotic and unfortunate things that happened to me by turning them into fiction.
Even a fiction film is hard to end. You can going on shooting and editing a documentary forever.
I've always been a fiction filmmaker and I've been heading in the direction of fiction filmmaking, doing documentaries along the way.
Generally, I read nonfiction. Theres very little fiction that I enjoy enough to spend my time reading. I am generally a nonfiction guy.
Movies feel like work, and reading fiction feels like work, whereas reading nonfiction feels like pleasure.
Words have great cumulative power, but in the 21st century, a single image is much stronger. An image suggests the unvarnished truth. That is its power and its fiction.
One of the many things that surprised me about Wool is how many of its fans don't consider themselves science fiction readers.
I have a severe Google Reader habit. I think people will use blog forms and twitter to contrive fiction.
I am in the interesting position of being sometimes skimmed by the critics and called literature and sometimes called historical fiction.
It took seven years from the day I decided I wanted to write fiction to actually getting a book published.
America's great talent, I think, is to generate desires that would never have occurred, natively,... and to make those desires so painfully real that money becomes a fiction, an imaginary means to some concrete end.
I think if you looked at the kind of ebb and flow of supernatural fiction and horror fiction, it does seem to be more popular in times when were hammered over the head daily with threats from all angles, very real threats.
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