There are no rules in filmmaking. Only sins. And the cardinal sin is dullness.
There are no rules in filmmaking
The most honest form of filmmaking is to make a film for yourself.
Read, read, read, read, read, read, read, read, read, read, read, read, read...if you don't read, you will never be a filmmaker.
Hollywood is still the mecca for good or bad, but it isn't the beginning or end for filmmaking.
Filmmaking is to me very similar to being in a café somewhere in Paris and looking at the people walking by.
Cinema is a matter of what's in the frame and what's out.
Filmmaking isn’t if you can just strap on a camera onto an actor, and steadicam, and point it at their face, and follow them through the movie, that is not what moviemaking is, that is not what it’s about. It’s not just about getting a performance. It’s also about the psychology of the cinematic moment, and the psychology of the presentation of that, of that window.
Filmmaking is a chance to live many lifetimes.
Most people don't know what they want or feel. And for everyone, myself included, It's very difficult to say what you mean when what you mean is painful. The most difficult thing in the world is to reveal yourself, to express what you have to... As an artist, I feel that we must try many things - but above all, we must dare to fail. You must have the courage to be bad - to be willing to risk everything to really express it all.
Filmmaking is incredible introspective. It forces you to sort of examine yourself in new ways.
Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.
I think there are advantages to different scales of filmmaking. You wouldn't want to do just one thing.
Never try to convey your idea to the audience - it is a thankless and senseless task. Show them life, and they'll find within themselves the means to assess and appreciate it.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
The more successful the villain, the more successful the picture.
IN CINEMA IT IS NECESSARY NOT TO EXPLAIN, BUT TO ACT UPON THE VIEWER'S FEELINGS, AND THE EMOTION WHICH IS AWOKEN IS WHAT PROVOKES THOUGHT.
Howard Hughes was this visionary who was obsessed with speed and flying like a god... I loved his idea of what filmmaking was.
I'm Godless. I've had to make my God, and my God is narrative filmmaking
A story should have a beginning, a middle and an end, but not necessarily in that order.
Filmmaking is not a balancing act, although some directors think it is. I don't believe in it. I like ups and downs. They're the best way to translate my feelings to the screen.
Filmmaking in general is about feeling and not about theory. You need to know a lot of rules about filmmaking: character development, grammar, and all these thing, but then you use it instinctively. I ask myself this question all the time. I have no solid theory, I just do what I feel is right.
Cinema should make you forget you are sitting in a theater.
I wanted to describe the world at the same time, through image, express what I felt. It was the time of the great documentary filmmakers: Richard Leacock, Joris Ivens. Today, television has put an end to this type of filmmaking.
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