I make a distinction between true and real. I think that the story is true, it’s just not real. That’s what a parable is. It takes things that we all know are real, and it takes life events that actually happens, and it weaves them into a fiction that allows truth to actually be embedded.
I wrote a story for my kids. It's fiction. It's not systematic theology. It's not a new book of the Bible. It's flawed, I wrote it. All of that goes into the mix, but I love the controversy. It elevates the conversation.
I think that most creative fiction involves the transformational process, whether it is Dickens or Dostoyevsky and the writer in some sense is expressing their own journey through such a wilderness.
Historical fiction is not only a respectable literary form; it is a standing reminder of the fact that history is about human beings.
Listen to others as if they are telling you the truth, ask questions when you aren't clear, and allow others the room to have different feelings than you. No more assigning hidden motives, prejudging and cutting people off before separating fact from fiction.
Here is one of the fundamental defects of American fiction--perhaps the one character that sets it off sharply from all other known kinds of contemporary fiction. It habitually exhibits, not a man of delicate organization in revolt against the inexplicable tragedy of existence, but a man of low sensibilities and elemental desires yielding himself gladly to his environment, and so achieving what, under a third-rate civilization, passes for success. To get on: this is the aim. To weigh and reflect, to doubt and rebel: this is the thing to be avoided.
Science Fiction: fairy tales for nerds.
In employing fiction to make truth clear and goodness attractive, we are only following the example which every Christian ought to propose to himself.
Every fiction since Homer has taught friendship, patriotism, generosity, contempt of death. These are the highest virtues; and the fictions which taught them were therefore of the highest, though not of unmixed, utility.
Who has ever stopped to think of the divinity of Lamont Cranston?
Character halts without aid of the imagination, which our classes in Shakespeare and Browning, music and drawing, recognize not only as amusement and by-play of the mind, but a co-ordinate power. Its work is unhappily styled fiction; for to idealize is to realize.
A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel.
Fiction is a potent agent for good--in the hands of the good.
to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.
If I write nothing but fiction for some time I begin to get stupid, and to feel rather as if it had been a long meal of sweets; then history is a rest, for research or narration brings a different part of the mind into play.
I honestly believe that everything I know about the writing of non-fiction (or writing) could be engraved on the head of a pin with a garden hoe.
I read secular fiction, but also enjoy novels with a Christian worldview.
Those who relish the study of character may profit by the reading of good works of fiction, the product of well-established authors.
Today, we know that time travel need not be confined to myths, science fiction, Hollywood movies, or even speculation by theoretical physicists. Time travel is possible. For example, an object traveling at high speeds ages more slowly than a stationary object. This means that if you were to travel into outer space and return, moving close to light speed, you could travel thousands of years into the Earth's future.
Truth and fiction are so aptly mixed that all seems uniform and of a piece.
when we leave society and come into the presence of Nature, we become children again; and the fictions of thought and action assumed among men drop off like a garment.
... if fiction does not show us a better life than reality, what is the good of it?
It's hard to get justice in the real world. It's possible in fiction.
A good short story is a work of art which daunts us in proportion to its brevity.... No inspiration is too noble for it; no amountof hard work is too severe for it.
Truth is the most powerful thing in the world, since even fiction itself must be governed by it, and can only please by its resemblance. The appearance of reality is necessary to make any passion agreeably represented, and to be able to move others we must be moved ourselves, or at least seem to be so, upon some probable grounds.
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