A fascinating book and a great pleasure to read: Betool Khedairi is a talented new voice in fiction.
It took seven years from the day I decided I wanted to write fiction to actually getting a book published.
In fiction, as in real life, love might inspire acts that are at best foolish and at worst life-threatening, but in the best romances, love is the final, secret ingredient that turns mere mortals into heroes and heroines.
I think if you looked at the kind of ebb and flow of supernatural fiction and horror fiction, it does seem to be more popular in times when were hammered over the head daily with threats from all angles, very real threats.
My most memorable science fiction experience was Star Wars and seeing R2D2 and C3PO. I fell in love with those robots.
Writing is such a solitary thing, so its nice, when Im discouraged, to see people still have such faith in fiction.
I stopped writing short fiction early on - I was never really good at it, and I never liked the results. So I stopped trying to fit the material I was working with into these tidy little short fiction packages.
[Property] is a brilliant, chillingly revelatory piece of fiction, a work of craft, economy and such good merciless observation-one of those rare, crucial novels illuminating a history we think we know and understand so that after we've read it we'll never forget its truths.
I think poets are much more dramatic, more theatrical than fiction writers.
Genres do exist because frequent users of any large bookstore can instantly tell what any piece of fiction is supposed to be about by its title, its cover and its location in the shop.
Science fiction offers an intensely bracing angle of view for writers to adopt, especially in a time of constant innovation and crisis, and it is a scandal that in 1999 so many writers have written it and continue to write it in obscurity.
For fiction, Im not particularly nationalistic. Im not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
A lot of crime fiction writing is also lazy. Personality is supposed to be shown by the protagonists taste in music, or were told that the hero looks like the young Cary Grant. Film is the medium these writers are looking for.
I just love historical fiction.
Fiction is a very powerful tool for teaching history. The Philippines was the first Iraq, the first Vietnam, the first Afghanistan, in the sense that it was the United States initial or baptismal experience in nation-building.
It's not just what Christian fiction lacks I appreciate - it's what it offers. The variety is vast: contemporary, historical, suspense, mysteries, adventure, young adult, romance, fantasy, science fiction.
Contrary to common belief, Christian fiction did not begin with Catherine Marshall, Janette Oke, or Frank Peretti.
Ven you read the speeches in the papers, and see as vun gen'lman says of another, 'the Honourable member, if he vill allow me to call him so' you vill understand, sir, that that means, 'if he vill allow me to keep up that 'ere pleasant and uniwersal fiction.'
Increasingly, those who used to teach and write critical or theoretical texts are writing fiction, poetry and so on; and kinds of texts are being produced that call for budding readers rather different from those who studied literature in the past.
A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction.
The Heretic Queen is historical fiction at its best. Michelle Moran seamlessly incorporates accurate details into a story full of suspense, intrigue, and tenderness that's impossible to put down until you've reached the last page. An absolute triumph!
For years, we in publishing have been hearing from Catholic readers that they really yearn for Catholic fiction.
I know that for every reader who has lost the habit or can't find the time, there are people who've never enjoyed reading and question the value of literature, either as entertainment or education, or believe that a love of books, and of fiction in particular, is sentimental or frivolous.
I grew up in the heat of '70s postmodern fiction and post-Godard films, and there was this idea that what mattered was the theory or meta in art.
Seldom does a storytelling talent come along as potent and fully mature as Mike Brotherton. His complex characters take you on a voyage that is both fiercely credible and astonishingly imaginative. This is Science Fiction.
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