As a child I always steered clear of science fiction, but in the autumn of 1977 the bow-wave of publicity for the first Star Wars movie had already reached me, so I was eager for anything science-fictional.
I never would have guessed I would be making science fiction and horror films.
The adage that fact is stranger than fiction seems to be especially true for the workings of the brain.
I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.
Gaston Milhaud, like many of his contemporaries, sought to overthrow empirical positivism by insisting on the fundamental reality of the mind, but mind conceived in the Kantian sense. The knowledge of nature is symbolic, and there is no necessary connection between the phenomena and our fictions.
Through my fiction, I make mainstream readers see the new Americans as complex human beings, not as just The Other.
Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read.
Sometimes people talk about conflict between humans and machines, and you can see that in a lot of science fiction. But the machines were creating are not some invasion from Mars. We create these tools to expand our own reach.
Science fiction is the great opportunity to speculate on what could happen. It does give me, as a futurist, scenarios.
I believe some people are just too damn smart to write fiction.
I had a ludicrous childhood, but I feel that I was able to profit from a lot of the idiotic and unfortunate things that happened to me by turning them into fiction.
Adolescents are still children in that they can't yet tell the difference between make believe and fiction.
Theres two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once youve read, you never look at the world the same way again.
Even a fiction film is hard to end. You can going on shooting and editing a documentary forever.
I've always been a fiction filmmaker and I've been heading in the direction of fiction filmmaking, doing documentaries along the way.
I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted.
Generally, I read nonfiction. Theres very little fiction that I enjoy enough to spend my time reading. I am generally a nonfiction guy.
Movies feel like work, and reading fiction feels like work, whereas reading nonfiction feels like pleasure.
Equality may be a fiction but nonetheless one must accept it as a governing principle.
I didnt have any particular talent for fiction. I took a class in college.
I know these are going to sound like school reading-list suggestions, but if you like dystopian fiction, you should check out some of the originals: Anthem, by Ayn Rand; 1984, by George Orwell; or Brave New World, by Aldous Huxley.
Words have great cumulative power, but in the 21st century, a single image is much stronger. An image suggests the unvarnished truth. That is its power and its fiction.
One of the many things that surprised me about Wool is how many of its fans don't consider themselves science fiction readers.
I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and backdrop characters.
I have a severe Google Reader habit. I think people will use blog forms and twitter to contrive fiction.
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