The desire to confess ... lies at the root of most fiction writing.
'Divergent' was my utopian world. I mean, that wasn't the plan. I never even set out to write dystopian fiction, that's just what I had when I was finished. At the beginning, I was just writing about a place I found interesting and a character with a compelling story, and as I began to build the world, I realized that it was my utopia.
I was obsessed with movies when I was younger. During the summer, I would go by myself to a theater down the street from my house. I saw every comedy or science fiction movie that came out. My kids love going to the movies, but 3D scares them.
I don't read much fiction because I already read a lot of scripts, so I want to learn about the world.
To be honest, Im not that much of a reader of Korean fiction, since so little is translated.
Ive lost much of my heart and the spark or fire that once created, or produced, the art of fiction.
Teen fiction should be about teenagers - no matter how many arguments there are about what YA lit should be, this seems like the one thing we can all agree on.
A lot of comic conventions go way beyond comic books and include other parts of pop culture, like celebrities and science fiction and movies and books. So I go to them either as a celebrity, or as a fan, because I'm a big sci-fi geek.
Much blood has also been spilled on the carpet in attempts to distinguish between science fiction and fantasy. I have suggested an operational definition: science fiction is something that COULD happen - but usually you wouldn't want it to. Fantasy is something that COULDN'T happen - though often you only wish that it could.
The fiction Im most interested in has lines of reference to the real world.
A great danger, or at least a great temptation, for many writers is to become too autobiographical in their approach to their fiction. A little autobiography and a lot of imagination are best.
My platform has been to reach reluctant readers. And one of the best ways I found to motivate them is to connect them with reading that interests them, to expand the definition of reading to include humor, science fiction/fantasy, nonfiction, graphic novels, wordless books, audio books and comic books.
My books deliberately provide no answers or messages. Im drilled in the habit of objectivity and also aware that the steady drip of fiction has more power than facts to shape opinion, so I handle it with caution.
I write poetry anyway and have for years and years. For me, putting fiction and poetry together is like the best of both worlds.
I was someone who really loved fantasy novels and science fiction novels.
I have a really good idea for a novel and would like to just kind of try my hand at fiction. I'm starting to kind of get a really good body of work going from a literary standpoint. As long as the audience is there, man, I'll keep cranking them out.
In such a society as ours the only possible chance for change, for mobility, for political, economic, and moral flow lies in the tactics of guerrilla warfare, in the use of fictions, of language.
Women are far and away the bigger consumers of fiction than men, but men are still far and away the more reviewed, the more critically esteemed, the more respected. That can get frustrating.
I could never write about strange kingdoms. I could never do Harry Potter or anything like that. Even when I did science-fiction, I didnt write about foreign planets and distant futures. I certainly never did fantasies about trolls living under bridges.
I was just about to begin writing Mirror Mirror, within about a week of it, when September 11, 2001 happened. I found myself incapable of caring about fiction-making for a number of months.
You know, as fiction writers, if our instincts are off, we can't pay our bills.
My fiction is almost always inspired by a character's need or desire to rise above him- or herself. No one is perfect and some of us have much adversity in our lives; it is those people who struggle to rise above their nature or background that I find the most interesting and heroic.
Fiction that responds to recent world events is a hostage to fortune because all momentous events look very different a year, two years, three years later.
What a writer can do, what a fiction writer or a poet or an essay writer can do is re-engage people with their own humanity.
The biggest challenge of my career, which is something that authors of genre fiction face all the time, is writing something fresh and new and at the same time meeting reader expectations.
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