The adage that fact is stranger than fiction seems to be especially true for the workings of the brain.
I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.
Through my fiction, I make mainstream readers see the new Americans as complex human beings, not as just The Other.
Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read.
I had a ludicrous childhood, but I feel that I was able to profit from a lot of the idiotic and unfortunate things that happened to me by turning them into fiction.
Adolescents are still children in that they can't yet tell the difference between make believe and fiction.
Even a fiction film is hard to end. You can going on shooting and editing a documentary forever.
I've always been a fiction filmmaker and I've been heading in the direction of fiction filmmaking, doing documentaries along the way.
Movies feel like work, and reading fiction feels like work, whereas reading nonfiction feels like pleasure.
I didnt have any particular talent for fiction. I took a class in college.
I know these are going to sound like school reading-list suggestions, but if you like dystopian fiction, you should check out some of the originals: Anthem, by Ayn Rand; 1984, by George Orwell; or Brave New World, by Aldous Huxley.
I am in the interesting position of being sometimes skimmed by the critics and called literature and sometimes called historical fiction.
The blurring of fact and fiction has great commercial potential, which is bound to be corrupting in historical terms.
It took seven years from the day I decided I wanted to write fiction to actually getting a book published.
America's great talent, I think, is to generate desires that would never have occurred, natively,... and to make those desires so painfully real that money becomes a fiction, an imaginary means to some concrete end.
God is a fiction invented by people so they do not have to face the reality of their condition.
A program of "disarmament," while imperialist antagonisms survive, is the most pernicious of fictions. Even if it were realized by way of general agreement - an obviously fantastic assumption!- that would by no means prevent a new war. The imperialists do not make war because there are armaments; on the contrary, they forge arms when they need to fight.
My most memorable science fiction experience was Star Wars and seeing R2D2 and C3PO. I fell in love with those robots.
Writing is such a solitary thing, so its nice, when Im discouraged, to see people still have such faith in fiction.
For me, any fiction of nobles and swords necessarily has to be a story of corruption, injustice and savagely violent conflict - because any other treatment is going to have all the heft and realistic honesty of a bedtime fairy tale for five year olds.
Fact-checking is so boring compared to writing fiction.
Once in a while - perhaps every 10 years, or even every generation - a novel appears that profoundly questions the way we look at the world, and at ourselves. Beijing Coma is a poetic examination not just of a country at a defining moment in its history, but of the universal right to remember and to hope. It is, in every sense, a landmark work of fiction
Genres do exist because frequent users of any large bookstore can instantly tell what any piece of fiction is supposed to be about by its title, its cover and its location in the shop.
Delaying and withholding tactics, red herrings, partial and doubtful outcomes are stock in trade for fiction writers, especially crime writers.
I obviously read and adore traditional fiction. I teach traditional fiction; I also teach all kinds of not-so-traditional fiction.
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