Love is considered the most basic emotion that human awareness can feel; therefore, it is the closest to the source of life. The burst of well-being you feel when you fall in love is due to the fact that you unconsciously open the channels of awareness that allow more Prana [Life Force] to flow.
You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about.
As more and more architecture is finally unmasked as the mere organization of flow - shopping centers, airports - it is evident that circulation is what makes or breaks public architecture.
And as an actor - or even as a person in the industry - if you're unwilling to change, you're just going to get swamped. You've got to be flexible, and you've got to go with the flow. That's what I try to do as an actor.
That's one wonderful thing about country music - it shifts, ebbs, and flows stylistically, unlike pop music.
I go with the flow. Whatever music you play for me, I'll dance.
The flow of writing is always a surprise and a challenge. Click the computer on and I am 17 again, wanting to write and not knowing if I can.
I guess I'm just in the flow and riding the wave.
I don't think it's something you can be prepared for. I'm just going with the flow.
In the final analysis the hierarchic pattern is nothing like the straightforward witness for organic evolution that is commonly assumed. There are facets of the hierarchy which do not flow naturally from any sort of random undirected evolutionary process. If the hierarchy suggests any model of nature it is typology and not evolution. How much easier it would be to argue the case for evolution if all nature's divisions were blurred and indistinct, if the systema naturalae was largely made up of overlapping classes indicative of sequence and continuity.
People get inspired to write, paint, draw, sing, sculpt, dance in many different ways. And there are many types of art. But the one thing that they all have in common is that they are all a sort of magic. Sometimes the magic flows from one’s fingers, other times it is transferred to the person who experiences the result. Magic has always worked in mysterious ways.
I take the seashell from my jeans pocket and rub my fingers across its silken, indented surface, shallow as my own open hand. This chalice, subtly shaped by some divine intelligence to allow water to flow in and out with ease, is what I aspire to become: a vessel through which feelings can pour in and spill right out again, without all the grasping and holding that obstructs the flow. Can I be as serene and simple as this bleached shell, rubbed smooth by wind and water, receiving and releasing, filling and emptying and filling again, eternally receptive to the currents of life?
Space. The continual becoming: invisible fountain from which all rhythms flow and to which they must pass. Beyond time or infinity
Going with the flow is soothing but risky.
Weep not for me. Rather let your tears flow for the sorrows of the multitude. My work is done. Like a ripe fruit I admit the gathering. Death has no terrors for it is a wise law of nature. I am ready whenever the summons may come.
I sometimes wonder if the hand is not more sensitive to the beauties of sculpture than the eye. I should think the wonderful rhythmical flow of lines and curves could be more subtly felt than seen. Be this as it may, I know that I can feel the heart-throbs of the ancient Greeks in their marble gods and goddesses.
The Sea of Galilee and the Dead Sea are made of the same water. It flows down, clean and cool, from the heights of Herman and the roots of the cedars of Lebanon. the Sea of Galilee makes beauty of it, the Sea of Galilee has an outlet. It gets to give. It gathers in its riches that it may pour them out again to fertilize the Jordan plain. But the Dead Sea with the same water makes horror. For the Dead Sea has no outlet. It gets to keep.
Balance. It was all about balance. That had been one of the first things that she had learned: the centre of the seesaw has neither up nor down, but upness and downness flow through it while it remains unmoved. You had to be the centre of the seesaw so the pain flowed through you, not into you. It was very hard. But she could do it!
We are that strange species that constructs artifacts intended to counter the natural flow of forgetting.
I wait. Now the night flows back, the mighty stillness embraces and includes me; I can see the stars again and the world of starlight. I am twenty miles or more from the nearest fellow human, but instead of loneliness I feel loveliness. Loveliness and a quiet exultation.
Some sang too that Thror and Thrain would come back one day and gold would flow in rivers, through the mountain-gates, and all that land would be filled with new song and new laughter. But this pleasant legend did not much affect their daily business.
As actors and actresses, we must rejoice in the possession of our physical faculties. We must experience joy in the use of our hands, arms, body etc. Without this appreciation and realization of the body and its many possibilities, we cannot perform as artists You should feel a flow of joy because you are alive. Your body will feel full of life. That is what you must give from the stage. Your life. No less. That is art: to give all you have. And what have you? Your life-nothing more. And to give life means to feel life throughout your whole being.
I had a nice dinner. I let the evening unfold, flow. I like to sit in a chair with a wine glass. When I woke up, I thought, 'Why didn't I go to bed at 11?' I came back at 3 and went to bed at 5.
Lower rates of taxation will stimulate economic activity and so raise the levels of personal and corporate income as to yield within a few years an increased - not a reduced - flow of revenues to the federal government.
I have asked the secretary of the treasury to report by April 1 on whether present tax laws may be stimulating in undue amounts the flow of American capital to the industrial countries abroad through special preferential treatment.
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