I used to be very afraid of flying. It would creep me out and make me very tense and very uncomfortable, and I would sweat or even cry. I was very, very scared of dying, but I'm not anymore. Fears need to be indulged, in order to exist. I don't have much time to indulge in any fears.
Sometimes you do things for personal reasons. I made a very personal movie in We Are Marshall. I was afraid of flying, for a long time, and that's a movie about a plane crash.
I've always been amazed by Da Vinci, because he worked out science on his own. He would work by drawing things and writing down his ideas. Of course, he designed all sorts of flying machines way before you could actually build something like that.
Flying cars are not a very efficient way to move things from one point to another.
Flying was as necessary to my business as fiddles and footlights.
I was brought up to believe I could achieve anything. My mother instilled in me the belief that there was always something great coming. For example, even though I'm afraid of flying, I always think the plane can't crash because there are so many better things still to come.
I was awakened at midnight by some heavy, low-flying bird, probably a loon, flapping by close over my head, along the shore. So, turning the other side of my half-clad body to the fire, I sought slumber again.
The Brick House was one of the toughest joints I ever played in ... Guys would drink and fight one another like circle saws. Bottles would come flying over the bandstand like crazy and there was lots of plain common shooting and cutting. But somehow all that jive didn't faze me at all. I was so happy to have some place to blow my horn.
There's nothing funny about flying to Houston.
The new millennium sucks! What a disappointment! What's the difference between the old millennium and the new millennium? Nothing! It's the same load of crap with a '2' in the front. When I was a kid, I am old enough so that when I was a kid, I looked forward to the new millennium. When I was young, I said, 'I'm gonna live through a change! A massive change! Things are gonna be different! Things are gonna be great!' Screwed again! No flying cars! No flying cars!
You might be a redneck if the antenna on your truck is a danger to low flying airplanes.
There are various forms of weaponry, intellectual weaponry, spiritual weaponry, political weaponry, economic weaponry. Because we are on the battlefield, and there are bullets flying, some symbolic, some literal and the life of the mind is a crucial place where the battle goes on.
So we have that, where there are moments where it's just Nic Cage and Amber Heard and you're in the car with them and it's not stuff flying at your face but you're literally sitting in the backseat. You're sitting there and it's just sort of interesting. At the same time we're going to throw cars and guns and bullets and frogs and naked people at your face because it's fun and that's the roller coaster. We do write some things for 3-D.
Well, it's sort of funny to try and get that balance between just accepting the reality of my friend [co-star Satya Bhabha] flying in from the ceiling of the theatre and like starting to do a dance with demon hipster chicks. It's like, so how do we react when he throws fireballs? Are we surprised? Does this happen a lot?
The ultimate act of cowardice is the fat-headed wrestling guy sitting behind the frail kid in math class, clipping him on the ear, saying: 'What are you going to do about that, faggot?' That is cowardice. When the bullets start flying past that jock's saucer-shaped ears, that's not cowardice. That's payback.
Can someone explain to me why pilots feel they need to wake everyone to tell us that we are flying by a cloud that looks like a monkey.
If you get a ticket, you can go to traffic school, and they make you watch movies for like eight hours: head-on collisions, mannequins flying out the windshield. At the end of the movie, the instructor goes, 'Now what have we learned by this?' Never let a mannequin drive your car.
Flying first class means sitting next to a better class of person I don't want to talk to.
Space and time are figments of you're imagination, unless the guy you're flying next to won't shut up.
There's a whole slew of wonderful speculation of flying in a fanciful way. Gulliver is one of the central examples; Swift has the hum of Arabian Nights in his ear with Gulliver's Travels. The difference is in scale - Gulliver as a kind of Sinbad kind of figure, the way he is picked up and carried. Just to finish up with Scheherazade, I do think that The Arabian Nights could be considered as a great book on women's position in the world.
One of the metaphors of the book is the carpet. Not just the flying carpet, but the carpet as a woven surface in which many repetitions and motifs recur and mirror one another. This is very much reflected within the stories: they have borders within borders, repeated motifs which change. They have their feet in oral conventions, and for the mnemonics, the storyteller needs to have a structure in order to remember the stories.
I'm happy to get up in the morning. I'll tell you a little secret: I still want to work in Hollywood. However, I get really excited about getting on a plane, flying to a city, and talking to a group of people about finding the gifts they already have inside.
Flying used to be so great but now it's more of a trial.
When I was getting close to being accepted for pilot training, I was allowed to get in a jet airplane. I sat there looking at all those switches and dials and I got the distinct feeling that I was sitting in the nose of bomb. I realized my fantasies of flying and fighting were just that - fantasies.
There was a time when doing "Zoolander 2" that I was literally flying between the "Zoolander" shoot and "The Leftovers" in Texas and at that point, I was getting comedy whiplash. It was a relief, though, to get to Rome and be like, "Oh my God, I get to laugh on set."
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