There are times when you get frustrated, but the one thing you always focus on is treating people well. You just cannot storm off and freak out.
There are a lot of limitations so you have to ultimately focus on what you think the most important storyline is.
I will focus on smoking in movies and with the amount of time that I have left in the world, I will do the best I can to stop smoking in movies and also to help people stop smoking, just normal ordinary people who may need help.
Center Stage focused on the drive and what it's like to be a student, and this is what it's like to be an adult and what you need to give up in the pursuit of that passion and that focus.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
Most of Emily's backstory is written out between New Moon and Eclipse. I'm reading them as we're shooting the films. I haven't read Breaking Dawn yet. It's just too crazy. There's too much going on that you need a map. I just try to focus on one movie at a time. When we were doing New Moon press, people were already asking about Eclipse. I didn't read it until I was ready to go, so that it was fresh and I wasn't jumbled with all this other stuff.
I think it's overly simplistic to say that any one single strategy is going to really change the focus and change the trajectory of drug use.
One of the drivers of heroin has been the misuse of pain medication. If we're gonna deal with heroin and heroin use in the United States, we really have to focus on reducing the magnitude of the prescription drug use issue.
Becoming a parent has just completely changed me, and made life so beautiful and given me such a center and a focus and such joy.
You try to break it down to weeks at a time otherwise you sort of make yourself crazy spinning out going from one....you just can't get your head around one of them fully. So I'm more task oriented. I like to sort of like focus on one thing for a couple of weeks...and also they're all in different stages of development.
I've been writing for myself since I was a teenager - I got into top-lining for some other artists/producers, but the focus was always on my own stuff.
I focus more on the music and my message; I'm not a party type of guy.
One of the great things about working with Focus is that you're never forced, especially with a film with low budget. The pressure is sort of off. It's like it's so under the radar in a sense that you can cast whoever you want.
I'm not aiming for a knockout. I focus on doing my best. If the knockout comes, fine. If not, that's okay.
If I'm gong out to a club I like to have fun with it. I'll use blue or red sparkly eyeliners and glittery eye shadows. Then I'll put on some blue mascara. I focus on the eyes.
On a good night, I'm just into the flow and seeing the pictures and words in my mind clearly before I say them. On a bad night, which to be honest are nowhere near as bad as when I was starting out, I just concentrate on performing the routines correctly. I focus on my delivery.
My focus is on always trying to treat the inevitable highs and lows of life with the same blissful, calm energy.
It's hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there's no buzz, there's no interest.
What is the focus of the new image infrastructure? Attention. It's all designed for capturing, tracking, quantifying, manipulating, holding, buying, selling and controlling attention.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
My ultimate goal is to create operating systems for myself that allow me to think as little as possible about the silly decisions you can make all day long - like what to eat or where we should meet - so I can focus on making real decisions.
In any given marketplace, there's a triangle. There's a line of Dior goods at $25,000 that creates the sharp focus you need to sell $100 scarves to every woman. When [Design Miami] Basel popped on the scene, it proved there's a market for the top of the design triangle, which will lead the wide base beneath it.
I am no longer interested in seeing and knowing everything all at once in my work. Technically I select the area of focus and if it's possible I try to make an amalgamation of every shape and color in the picture so that it acquires a circular movement: from representation to abstraction, from life to death, and vice-versa.
They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes. (On photographs of mundane streetscapes he had Stanley Something-or-other take in Sacramento in 1988 to serve as backgrounds to his cartoons. People don't draw it, all this crap, people don't focus attention on it because it's ugly, it's bleak, it's depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life. )
There in front of me was the Senator on the floor being held by the busboy. There was nobody else around, and I made my first frame, and I forgot to focus the camera. The second frame was a little more in focus... then just for a second, while everything was open, the busboy looked up, and he had this look in his eye. I made that picture, and then suddenly the whole situation closed in again. And it became bedlam.(On the 1968 shooting of U.S. presidential candidate Bobby Kennedy.)
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