The folks who want to be left alone are the ones who actually get most of the work done, but they’re still mocked as drones or beavers or trolls. That’s bad enough, but now technology is helping the extroverts in their long twilight campaign against actually concentrating on anything.
The white music was melodic and pretty, and you had beautiful women's voices like Gogi Grant and even the Andrews Sisters. Then I went directly to rhythm and blues, which had beautiful voices but not much melody in particular and pretty much the same chord pattern. I loved it, I was entrenched in it, but then folk music came in the middle of that for me, and made its own path. And it was part of the rebellion against bubblegum music, or music that is pretty but doesn't say anything.
To see the way that [my mother] held our family together after my dad passed away, and then went to college after my youngest sister went off to school on her own, and mom went and got a college degree in her 60s is just incredibly inspiring. So, I would just say my folks.
Obama destroyed this party, folks, literally has destroyed the Democratic Party while elevating himself to whatever heights, if he's really achieved them, I still don't believe it, but I'll go along with the flow for now.
People continually ask me, "Why does the media do what it does? Why are they so obviously self-destructive? Why are they so obviously predictable? Why is the media so obviously biased? Do they not see how other people see?" No, they don't. But then again, they don't care, folks.
I hope [white brothers and sisters] read this book [Tears we cannot stop] and engage with it, but other white people have a better chance of speaking more directly to the white folk they know, because they're less likely to be subject to ridicule. They're insiders, so to speak.
I remember when Langston Hughes used to write a column in black newspapers around this character Jesse B. Semple. He always used that as a voice, sometimes in comic ways, of having everyday people's voice come through this common folk hero, who was an ordinary working guy. He would talk about anything from police brutality to the Korean War. Those kinds of expression and identification are no longer prevalent in our popular culture.
If [Vladimir] Putin likes Donald Trump, guess what, folks, that`s called an asset, not a liability.
Life in America is nothing but struggle, you gotta continue to try to overcome. Keep organizing, Obama said, keep organizing, grab a clipboard, get your signatures and start protesting, run for office yourself, but the shtruggle, the shtruggle is what defines us and we must continue with the shtruggle. Just pathetic, folks, the whole thing is pathetic.
Now, I've lived long enough to know that race relations are better than they were 10 or 20 or 30 years ago no matter what some folks say. You can see it not just in statistics, you see it in the attitudes of young Americans across the political spectrum. But we're not where we need to be. And all of us have more work to do.
There's a huge piece of humanity that's missing - a huge piece - and our [American] culture is infant, comparatively speaking, to these folks who have been around for thousands of years.
White folks are the luckiest people: Finally a black president and he's a behaved one. Went to the best schools, best colleges, never raises his voice. I ran for president in 1968. I tell (audiences) if I won, I would have dug up the Rose Garden and planted watermelon!
Black folks tell their kids they have to be twice as good as a white person? Well, if I tell a child of mine that, or that they have to be careful - that this is what a cop would do if you do this - they think something is wrong with them. I tell them death is better.
My wife and I went to jail in Selma. The difference when I was back there recently? White folks? No. Black folks who were not scared. I was behind the president this time. When I was a little boy and ran around with trifling dudes, I was the only one scared of dogs. And I was bitten 14 times! Dogs smell scared. And that's the same thing with people: 50 years ago they smelled fear. There was no fear this time.
When I went south in the 1960s, I knew I could die. If I went down there and did what I did up in Chicago and made all of those hatin' white folks laugh, then I would have been defeated.
The thing is, autism is a big spectrum. Going from folks who remain nonverbal, all the way up to, ya know, famous scientists and musicians. And we've got to work on strengths. We also have to work on teaching basic manners and skills.
I always thought the women of my age group got short shrift because the women's liberation movement came slightly after. You look at the yearbooks and you see the future homemakers of America - hurray for that - but you also see them in the engineers club. You see minority kids as student body presidents at a time when everyone was supposed to be terminally racist. Yearbooks are genres; they're also folk art, folk documentation.
In the story ["The Pyramid and the Ass"] there's this war against the so-called Buddhist Terrorists. As we find out, they're not really terrorists at all, just good folks trying to liberate people from technology and fight against an American government/corporation trying to coopt our souls. The inherent racism and Buddhist-phobia in the story plays into the present demonizing of Islam - and of our loss of knowledge about the great, spiritual history of the Sufis, for example, or the cultural heritage from the middle east.
My dad was young. He went to work. But he'd been to war. He'd seen some of the world. It wasn't like he was going to be an extensive traveler or something. That didn't seem to be in the nature of - in his nature or in the nature of his parents or many of the folks in my family, really. They were - we had a cousin that went to - off to Brown University. It was like a nuclear explosion took place.
My grandmother was extremely smart when it came to money, but she also worried a lot about not having enough. So it's with her in mind that I aim to explain complicated financial things so the folks like her won't be afraid to make certain money moves.
I also admire my pastor, John K. Jenkins Sr. (First Baptist Church of Glenarden). My pastor taught me the importance of tithing and giving back, that it has to be at the top of my budget. And he is one of the most generous folks I know.
I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.
As a kid growing up and seeing so much strife taking place in society, and particularly on Blacks and people of color, I had an opportunity as a young man to witness the change that was taking place in Harlem, the exodus of white folks leaving Harlem, which I thought was a very cohesive situation. But they felt that they needed to leave.
With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.
When folks get to the best of their profession, people are like, "Who am I to give a critique to this individual who's reached mastery?".
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