If you look at any successful skit comedy show, ever, there is that format of introducing you to the player in the beginning, and then going on to see those sketches.
I've done thousands of interviews in my life, and it's a format that I quite enjoy, because I think of questions in interviews as an opportunity to sort of gauge my growth in a way. It gives me an idea of how I'm navigating this world that I'm in.
The Singapore Media Festival brings together the most important Film and TV events in Singapore under one umbrella. With media convergence, I foresee that the SMF will encompass even more content formats in future, and will keep Singapore on the cutting-edge of media development. I am confident the SMF will be a signature media event for Singapore and the world for many years to come.
Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.
Warner Bros. has talked about going out with low-cost DVDs simultaneously in China because piracy is so huge there. It will be a while before bigger movies go out in all formats; in five years, everything will.
Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.
Honestly, the essence of publishing hasn't changed. Since the days of the cave man carving stuff on the cave walls, people have wanted stories, and storytellers have wanted an audience. That is still the case. The changes are really a matter of format.
We wanted to interview people on the show, do variety, get the artists, the guests involved with us in our group. They wanted to keep the four guys together. We wanted to change the format.
Genealogy of American Finance is a treasure trove of information on American banking and its history, in an unusual -- and unusually useful -- format.
Composition, the aim of which is expression, alters itself according to the surface to be covered. If I take a sheet of paper of given dimensions, I will jot down a drawing which will have a necessary relation to its format.
LTO ultrium is adaptable and scalable backup tape format and its technology is continuously enhanced by its manufacturers to address the growing needs and requirements of the server environments of midrange to the enterprise class.
Now clearly this advantage is when the data on tape has been found and just needs to be transferred back. You need to add a minute or so of seek time to find the data. On large transfers, though, tape should outpace most disk systems. From an ingest perspective, LTO-6 and other enterprise tape formats may be unrivaled when compared on a single unit basis.
I think the thinking is, in the comic books, I should pack as much onto a page as possible, because, you know, it's kind of the cheaper format, and you want to give readers as much as you can for their dollar.
I think the Australian people are very conscientious. During the 1980s and 1990s we proved they will respond conscientiously to necessary reforms. They mightn't like them but they'll accept them. But reforms have to be presented in a digestible format.
I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like 'Piranha 3D.
Indian actors, because of the format of our stories, need to be good actors, and be able to perform emotional sequences, do a bit of comedy, dance and singing, action, because all of this forms just one film. In many ways I'd say there are greater demands on Indian actors than there are on Hollywood.
I have to tell you, TV is an incredibly difficult medium. The most challenging show to do is the hour long dramedy. It's a very tricky format.
Having spent a number of my younger years with trade-union parents attending NUT annual conferences, I feel comfortable with an agenda in my hand and a procedural format for debate.
The Confederations Cup is interesting. It served Spain very well to take part and then go on to win the 2010 World Cup. We knew the stadiums, the atmosphere, the conditions and also the difficulties of a tournament which simulated the World Cup format.
I think anytime you start relying on a format to get you by you've got weak material to begin with.
I prefer recording drums in the analog format, but that does not mean I would only do it that way.
One is to ensure that the war fighters and the intelligence analysts get the information that they need when they need it, in a format that's useful to them.
I stumbled into this format for 'Last Call with Carson Daly' that I really like, inspired by cable and Dave Attell's 'Insomniac.' I love being out on the street.
The visceral experience of seeing a movie in three dimensions, coming at you in the theater, is obviously here to stay, because it is a unique experience. I think that kind of format is only appropriate for some genres, but I'm all for it.
In every debate, whatever the format, whatever the questions, there is one and only one way to identify the winner: Who commands the room? Who drives the narrative? Who is in charge?
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