The integrity of being an artist for Frank Stella means going into the unknown.A great artist is somebody who's not scared to reinvent themselves and to start all over again. And some artists do it once, twice, three times in their career. He's done it probably a dozen times or more.
We didn't really differ [with Frank Moore Cross] because we have the same love of the text. We share that love.
The people who taught really knew their stuff. My chemistry teacher, Frank Wade, was actually a chemist. I was so lucky in a number of ways.
And just everyone in the 40s, you got to realize, for his time period, take Justin Bieber and put it on steroids - there was no one like Frank Sinatra before that. And you didn't have the amount of outlets that you have today and the variety that you have today. So, the Great American Songbook united the nation unlike any other music, because there weren't so many different kinds of communications.
[Frank] Sinatra, to everyone, even Tony Bennett, was such a huge influence because he had mastered not only music, but film and radio.
His [Frank Sinatra] voice defined not only a certain period of time, but America and what America meant to the world. Sinatra grew up, as my grandparents did, when being Italian was very, very prejudice against, but they didn't let it bring them down or use it as an excuse.
That's what [Frank] Sinatra did. He was the first artist to come out in a major way against anti-Semitism and racial bigotry. And those are huge things back in the 50s and 60s and 70s - and he was doing this in the 40s.
My parents, the effect that [Frank Sinatra] had on the Italian community, in terms of all our friends at the house were multicultural. We weren't just Italians. My dad's close friend was a black gentleman - this was back in the early 50s when Tony Bennett was reprimanded for having lunch, when he was in the military, with a black man.
Dodd-Frank is 2,000 pages long. It covers thousands of rules, regulations, interpretations and things like that.
Dodd-Frank and independent actions of banks go a long way in terms of progress on capital, liquidity, transparency, "living wills" (plans for winding down a bank in the event of a collapse) and resolutions.
There are parts [in Dodd-Frank] that I don't agree with. But, in total, it is what it is.
Being that frank and being that open, there's more praise than there is negativity. It's just the negativity gets printed because you're straight and f - ing rude. It's not rude, it's just getting straight to the point.
[Barack] Obama isn't pointing to anyone, and certainly doesn't like it when others note (correctly) that his influences were the likes of Saul Alinsky, the Chicagoan and modern founder of community organizing, or Frank Marshall Davis, the communist journalist and agitator from Chicago who mentored Obama in Hawaii in the latter 1970s, and who Obama warmly acknowledges in his memoirs.
I think they [Martin Scorsese, Johnny Carson, Frank Sinatra] liked my honesty. My personality. For that, they always treated me great. I, in turn, treated them great. No secret about it. My being who I am - that is that.
Frank Sinatra enjoyed my humor, so I could say almost anything to him. I mean, within reason.
I wrote [Collateral Beauty] on my own. I didn't get paid to write it. I didn't sell it as a pitch. It was an idea I had that I really, really felt needed to be in script form before showing it to anyone in the industry because of the uniqueness of the idea, and the weirdness of the idea, to be frank.
Probably the single most commen response I get from my readesr, be it through e-mails or letters, is that they did not know much, or at times, they're quite frank, they didn't care much about Afghanistan. But they pay attention more after reading these novels, and at times it has triggered this humaitarian spirt: some have donated money or at time times, people have joined humatiarian organizations that work in Afghanistan.
Everyone has talent. What is rare is the courage to follow that talent to the dark place where it leads. Erica Jong To Cowardly Lion:"As for you my fine friend, you are a victim of disorganized thinking. You are under the unfortunate delusion that simply because you run away from danger, you have no courage. You're confusing courage with wisdom.Frank Morgan as the Wizard of Oz "Courage faces fear and thereby masters it."Martin Luther King, Jr. "These days I'm feeling all right'cept I can't tell my courage from my desperation
Frank Moore Cross is also a leading Dead Sea Scrolls scholar, which he's been since they were discovered more than 50 years ago. He's just completing an edition of one of the most significant scrolls for Biblical studies, the Book of Samuel from the Dead Sea Scrolls.
We have a text before us, an ancient text, a living text, and we try to enter it, not only to decipher it, but to penetrate it, to become part of it, similar to the way every student becomes part of a teacher's texture. That's how I see our [with Frank Moore Cross] two differing approaches.
I really don't teach the way Professor [Frank Moore] Cross does. I don't teach the text the same way he does. I teach Biblical themes, Biblical events.
I have a tremendous respect for Professor [Frank Moore] Cross.
Frank [Moore Cross], publicly dissects the text but he has a private, passionate relationship to the text that he doesn't often speak of publicly.
I guess what this is reflecting is my own search for answers that I can't find. Frank [Moore Cross] and I have examined a lot of archaeological materials in the hope of finding out.
Marilyn Monroe was taken advantage of by most of the men that knew her, including Frank Sinatra and Joe DiMaggio, whom I also knew very well.
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