I describe my music as a mix of juices - Tropicana orange juice and a little bit of off-brand pineapple juice. I guess you could call it generic-brand pineapple-wave.
I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama.
Of course I can appreciate the musicality of the pieces and sometimes the lyrics are generic enough to be listened to without reference, but I often feel cheated if I don't know what the hell is making this person burst out into song.
I think I have patient fans that want quality over quantity. It's more important to me that the project be the best that it can be and the realest it can be rather than rushing a whole bunch of generic songs, because I could do that. I could just put together some songs real quick that I really like. I only write and I only sing for a purpose, so if its not then, it's not going to be rushed.
Sure, we have an obstacle, ISIS. They can do great damage. They can do great damage and they scare the living hell out of everybody with good reason. But they are, instead of dealing with nation-states that are arranged against us, we're to deal with non-state actors that can do damage to us. But this is within our control. We are beginning to make genuine progress as to how we isolate them, how we take them out. We're in a situation - I mean, I just could go on. But I am - the only generic criticism I had is we're not talking about the possibilities.
That's another thing yo rappers are scared to bring new styles out. There's so many different ways we can be flowing but everybody chooses to flow the generic way.
You start with a generic body, but I think the first wall you hit with portraiture is comprised of history and storytelling and the nature of characters - whether they are historical or coming from literature or documentation. Those are the references we have to people, besides your family, and the intimacy of portraiture is in the specifics of individuals. For me, it came out of doing things about animals.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
The idea of listening to a record that's in one generic style, it becomes quite boring after the third or fourth song, in my opinion. It just becomes a bit... when you've got the same arrangement on a song, your ears get tired. I come from a DJ background and it's about trying to put songs together that don't fit necessarily but you can get away with putting them next to each other. I think of myself as a punter and ask myself: what would I like to hear?
With the Health Impact Fund, the innovation is paid for separately, through publicly funded health impact rewards, and the product is sold at the cost of production to all. Here, the cruel injustice of preventing the poor from buying at cost - evidenced by today's suppression of the trade in generic versions of patented medicines - would no longer be needed.
People order clothes out of a catalogue, put it on an actor and everything is generic.
Everyone is talking about sustainability and resilience, yet all that knowledge is thrown in the bin. [Lagos is] a unique case, but also a test case. It's unbelievably unique, but also it's now considered with a number of really generic opinions, generic solution, generic expectations.
Pledge Allegiance was a pretty generic name back in the day. In the 80's I was the promoter for all the punk rock shows and I'd book Black Flag, Dead Kennedy's, Minor Threat etc and I'd hook them up with places to stay if needed so it's hard to keep track of it all.
Woody Weatherman showed me two beats, the "do do dat, do do dat" rock beat and the "ooh at ooh at ooh at" punk beat and other than that I was pretty limited. I had just gotten a drum kit for Christmas, which I was stoked about so I was ready to go. Back then, the prerequisite for playing punk rock drums wasn't very high, it was really pretty generic as I'm sure you can imagine.
We [human beings] are two-legged omnivorous animals, and this means that we have many ecological niches, regarding the possible places where we can live. Therefore, we have to adapt to these different environments and we cannot predict, in a generic way, in which type of world we are going to live (cold as the North Pole or hot as Congo).
I think the reason why I'm so alluring to networks is because on the surface I'm like a quintessential relatable, boring white guy. A great many sitcoms have been anchored by a boring white guy, so I feel like what they want to mine from me are my more generic qualities.
(I am) dealing not with the particular anecdote, but rather with the Spirit of Myth, which is generic to all myths at all times.
The sexist perception that violence by anyone against only women is anti-woman while violence by a woman against only men is just generic violence creates a political demand for laws that are even more protective of women.
Equity knows no difference of sex. In its vocabulary the word man must be understood in a generic, and not in a specific sense.
I've always seen myself as the person listening to alternative music and all that - generic indie person. I always tried to be the least pretty I could be.
Bobby's World touched a lot of people. That's why the family's last name is Generic. Uncle Ted is based on uncles we've all had.
It's much easier to have something that's absolutely definite and has a definite identity, rather than a really generic role.
Venues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening.
Back then, you seemed like a crazy person when you were trying to push the boundaries of network TV. People looked at you, and they were offended by the fact that you didn't follow the generic rules of what was expected on network TV.
If there were a generic one-word expression for 'one whose fear of the uncertainties of success moves him to surrender at the very moment of victory', it would be 'Republican'.
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