I tell actresses, "If you're too tall, if you're too fat, you're not going to work. I don't care how talented you are." It's a business, and sex sells.
If you mess up the performance on stage, you do it again the next night. You're like alright, you let yourself off the hook, and you've got to go back in there. Whereas, with a film, I would go home and be like, "Well, I've ruined the arc of the character forever. That scene is never going to work. I know because I can never shoot it again." So, it's all miserable, but in different ways.
I was, like, "Wow, is this ever going to happen again? Am I ever going to work with another bunch of people I get along with this well?" And then, sure enough, Threshold was just a great bunch of people, and I thought, "Hey, I could hang with these people for a long time!" But, unfortunately, it was 13 episodes and we were out of there.
We just had to stay out-of-the-way [in Fences]. [August Wilson] already wrote a masterpiece. And you really don't know how it's going to work until you get it in front of an audience.
Those are the ladies sitting in church. And in the same way that they might feel a joy and release on Sunday, they are still going to work on Monday. And that's who I was listening to during this process. And if at the end of my presidency they feel like I did a pretty good job, then I'll feel pretty good.
We're going to make sure that the people who run for office and get elected are the ones who are going to work for the American people.
We would do improvisation together. And that in a way, had almost a "student-film side" where we'd be sitting there with Robert Downey and Jon Favreau and we're playing around, we're jamming around and we read those pages and in next couple of days that's what we do, so it was a good experience. Kind of frightening at first because you didn't quite know how it was going to work out, but they had some very talented people there so it worked out well.
When I first started [taking acting classes] I sort of stuck my toes in but I was so nervous I didn't know if I could go all the way. I was so scared about it for some reason. The more confident I got with it, the more I just fell in love with it. I love going to work every day and trying to make the most of the stuff I've been given.
Everyone makes sacrifices for their job; the movie's not saying that you don't have to work hard. The movie is saying that if you're going to work hard, then make it worth it, believe in what you're doing.
I think one of the things that might distinguish me is when I'm going to work as an actor I really try not to worry about my own personal hang-ups and just really concentrate on the work. Because I have such a respect for acting, which is something I feel like I'm constantly learning how to do, that all of my energy is always focused on the acting itself.
What's interesting about making art is that you take everything you know about it and you bring it up to that point, and you start making a physical thing that addresses what that is. And when you do it, you don't know anything about it - if it's going to work or not work.
I think I've always looked older than I am. I hope that's going to work in my favor when I get older.
In the tangled hierarchy sinner and saint, divine and diabolical, sacred and profane are different faces of our collective Being. Therefore angry activism driven by rage, however justified it seems, is really not going to work. I believe that the tangled hierarchy wants us to move to the next state of evolution and very strongly desires us to take that quantum leap of creativity.
I would say that in 2000, we understand as much about how today's system of globalization is going to work as we understood about how the Cold War system was going to work in 1946.
When you deal with a film that takes place in Europe, and you're going to work in English, you'd better work with European actors.
Being a female director become as professional as your male colleagues and forget the whole question about being female. You are female anyway and it is going to work in your favor. The scope of female professional superiority can be understood by so few men that mostly they do not miss it.
I hate when somebody says, "This may not work." You'll never get anywhere with that. I've pushed a lot of people out of my way - I don't mean physically - over them being afraid something isn't going to work.
For me, at some point, the idea of struggling through the process was not as interesting as doing tests and executing the painting after I figured out all of its elements and how they were going to work together.
So to me, Texas Hold 'em puts me to sleep. At least when you play stud, you can be funny as you deal. Somebody some day is going to come up with a Stud show that's going to work.
The challenge is always as a writer, is this going to work, because it's a very intimate process, and I tend to be very introverted and insular, and when I write, it's in my head.
I'd never want to be Gene Simmons, an old man who puts on makeup to entertain kids, like a clown going to work.
My husband is a very present husband, and that has made going to work feel easier. I don't feel guilty. I definitely feel less guilt because I know he's there during breakfast, lunch and supper if I'm not.
The 2006 playoffs were such a rollercoaster for me. I was able to lean on God and know that no matter what things were going to work out the way they were meant to work out. I had that trust that allowed me to go into the games without fear. When I prayed before games, I was able to just let it go. When I played in game seven of the Stanley Cup Finals, I prayed more that day than I have my whole life. That was a day that I leaned on the Lord a lot. It helped me to face some of my fears.
I guess the hard part is more in the development stage when we're writing it. The logic is hard. You come up with a great idea and you get all excited that it's going to work and then you go down two hours and then one guy turns to everyone and goes, 'Wait, that makes absolutely no sense because if he was there, then this wouldn't have happened, then this,' and it completely implodes.
The Taliban should keep it in mind that one of us has to die one day. And if I die early, it does not matter. I will continue my campaign and I'm going back to Pakistan as soon as possible. And I want to be a politician. And, through politics, I am going to serve my mission, and I'm going to work for education for every child.
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