I'm going to be a great film star. That is, if booze and sex don't get me first.
You have to be able to feel like you can play way outside of the box. If you're with a great filmmaker and someone you can trust, that's encouraged, and Seth was that kind of filmmaker and co-star.
While more great films are being made every year, it is increasingly difficult to get indies into theaters or on TV.
I think great filmmakers will always talk in terms of storytelling. These guys were always about the story. That is how I love to talk about a film.
I don't have any expectations about my films. If they're good, they're good - if they're not, they're not. About 10 years ago, I remember going to see one of my movies - I can't even remember which one now - and everyone was jumping up and down, getting excited, saying what a great film it was going to be. We all went in and watched it, and it was the slowest movie I've ever seen. The next day, the reviews were terrible and half the studio was fired.
People make great films. I just don't have the eyes to watch them.
I would rather portray the hero, if it's a really great film. All my favorite fictional film characters are heroes, such as in "The Last of the Mohicans" and "Robin Hood."
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
Often it's true that films just go right through us. You see the film, you might be entertained, and if it's not a great film, it loses its power very quickly. I think even simply acceptable books stay with us a lot longer.
I'm pretty happy with who I am. I like myself and what I'm doing. I don't need to be the world's greatest director or the most famous -- or the richest. I don't need to make a whole lot of great films. I can do my job and I can do it pretty well. This is the realization I've come to, later in life. It's called growing up.
You will never see'Altman's Great Film of the Seventies: The Director's Cut' because you have never seen a film of mine that wasn't the director's cut. I have never permitted it.
It's got to be a challenge but at the same time you have to feel as though you can play them - it's really dangerous to want to be a part of something just because you think it's going to be great. I've been sent plenty of scripts where I've known that it's going to be a great film and a successful one, but I just couldn't convince myself that I was the right person for the part. So, I think you have to be careful with that.
There's a paraphrase about Orson Welles saying: "Great films are made by great directors and the rest are made by everyone else." I've been very lucky... before I start insulting the profession of directing, but I think a good director is everything and a bad director really is nothing at all.
Hot Fuzz in a strange way, for me, summons up the spirit of watching R-rated films that I was too young to watch. I was 14, 13 maybe, when Robocop came out. Seeing Robocop at my brother's friend's house, and not really supposed to be watching it, because it was [rated] 18 and I was 13. That mind-blowing experience, because not only is it a great film, but it feels illicit.
Making really great music, making really great films, writing great books is an antidote to all of that. And, as people, as artists, some of the massive disruption that technology is causing is so exciting, the way that people can share creativity now.
It's a terrible thing to make films that are never seen or experienced by audiences. Often times nobody knows about them, even though they are great films. They are not promoted and that's really sad.
To be in someone's favorite film is just - that's what you want. You want to be in great films that are memorable.
In truly great films - the ones that people need to make, the ones that start speaking through them, the ones that keep moving into territory that is more and more unfathomable and uncomfortable - nothing's ever simple or neatly resolved. You're left with a mystery.
There's so many great films coming out. It's still kind of astonishing to me how certain films get ignored, and that film ended up getting ignored and didn't get the attention that it deserved at Sundance.
If you make a great film full of emotion, of pathos, people want to continue to know more, to work harder.
I'm a huge fan of film primarily. But, you can get a great TV show and get attached to it. Making a great film is forever though; so I always want to be part of film. It's my first love.
I want make more records with my sister. I want to go on the road. I want to tour around the world. I want to continue to make great films and work with incredible directors that I respect and look up to.
Most great filmmakers are good at place. Like how people say, like, "The city itself is a character in the movie," you know? I'm so interior. I always forget there's such a thing as an exterior wide shot, where you can see where someone is. As opposed to just: how can we show what this person is thinking, in an abstract way that is felt?
I always looked up to great actors and great films. A lot of my family would be like, 'Come on, you should get into these plays that are going on.' I'm like, 'Nah, nah, music's my thing.' I just fell into it. I moved to Atlanta, got with an agency out there, started doing little voiceover commercials, and it started getting kind of fun.
I love Leonardo DiCaprio. He just makes really great films with great directors. He has great relationships with directors but also has a great social awareness. I think he balances his work with his responsibilities to his world, the environment, things like that very well. I'm very impressed by him and I admire him a lot. And other actors like Joaquin Phoenix, I just look at him and marvel at his unexpectedness, just his work really.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: