I'd studied theater growing up and loved that, but didn't have many examples of artists around me.
Yes, I was slightly outside everything when I was growing up. My mother jokes that I was exchanged at birth. She brought us up to have traditional values. She was absolutely not part of the '60s generation.
I was a big fan of 'The Smurfs' growing up, even though by default - my mom used to force me to watch because she was a 'Smurfs' fan.
The problem with growing up in a cafe was the cafe never closed, my parents worked every day of the year from morning to night. So it was a big menagerie of kids, business and cooking!
As I got older, I got into all kinds of things in the streets - but for some reason, I never got caught up with the gangs growing up. Everybody dug me, man. I never had problems.
My parents met in music school and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing. There was a lot of Mozart and the Beatles.
I watched a lot of comedy growing up.
My political opinions lean more and more to anarchy. The most improper job of any man, even saints, is bossing other men. There is only one bright spot and that is the growing habit of disgruntled men of dynamiting factories and power stations. I hope that, encouraged now as patriotism, may remain a habit.
I'm terrified of growing up. Once you become an adult, how to you step back from that? It's something that wakes me up at night.
I was just a big fan of tattoos always growing up, and I wanted something cool that symbolizes what I've been through in my life, and everything on my chest and my back is like a collage.
We, as artists, we have the right to express ourselves. That is our first amendment, freedom of speech. But I also believe that we have an obligation to the youth to be somewhat responsible in what we say on records. But I think that comes with age. I think that comes with artists growing up and becoming assured of who they are as people.
I make mistakes growing up. I'm not perfect; I'm not a robot.
In an old song the Mother sings: 'My sleeping is my dreaming, my dreaming is my thinking, my thinking is my wisdom.' She is the bed we are born in, in which we sleep and dream, where we are healed, love and die. In her wisdom we remember day's broken images and carry them down into dreams where their motions roll into shadows and root, growing into stories.
Everything I was afraid of when I was growing up, I've become. I've taken on my nightmares, like the devil and the end of the world, and I've become those things.
I hated the idea of a high school sweetheart. Growing up, oh my God, it just made me sick. I wanted to have a range of cool boyfriends. I wanted to travel around and date these interesting men. Then it just happened. You fall in love.
I started modeling, doing the Sears catalog kind of thing, then did a lot of commercials when I was growing up.
I'm growing very talented at watching blood and guts on screen because I have zero emotional response.
I still call Texas home. It is where I spent most of my life growing up.
I know I always had a lot of energy growing up and I had to put it somewhere. Theater allowed me to really feel things, to laugh, to cry, to explode outward. I could do anything and it was totally accepted and appreciated. If I hadn't gone into the theater, I probably would have been a psychotic killer.
My favorite movies growing up were things like 'The Wizard of Oz,' but as I got older, I really began to admire people like Steven Soderbergh.
The Astonishment Tapes will now take its place within the growing field of international research about postwar American poetry's important contribution to world literature. Miriam Nichols has once again done exceptional scholarship.
I was very independent growing up, but there were things that were bothering me that I never told anybody. I would talk to our animals at home.
I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
When I was growing up I loved reading historical fiction, but too often it was about males; or, if it was about females, they were girls who were going to grow up to be famous like Betsy Ross, Clara Barton, or Harriet Tubman. No one ever wrote about plain, normal, everyday girls.
And were in the middle of a perfect storm. These days, government social services are being bad-mouthed and defunded. The non-profit world is looking more and more like the for-profit world. The growing gap between rich and poor makes most of us very anxious about where we stand.
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