I renounce falsehood, whatsoever be the guise it assumes, and I embrace truth, wheresoever I find it.
When I moved to London in the 1990s, it had changed a great deal. Racism had become deeply uncool. But there has been a return of racism in the guise of "antiterrorism." People who look like myself are immediately suspect. I've become extremely self-conscious about going into crowded public places.
Religion is a disease. It is born of fear; it compensates through hate in the guise of authority, revelation. Religion, enthroned in a powerful social organization, can become incredibly sadistic. No religion has been more cruel than the Christian.
Collectivism takes on many guises and seldom uses its own real name. Words like 'community' and 'social' soothe us into thinking that collectivist decision-making is somehow higher and nobler than individual or 'selfish' decision-making. But the cold fact is that communities do not make decisions. Individuals who claim to speak for the community impose their decisions on us all.
Liberalism in various guises - feminism, the sexual revolution, gay activism - has been at war with marriage and family for several decades now. And when do-gooders look around at the wreckage of human lives caused by disintegrating families, they call for government to act as father, mother, brother, and sister.
I do not think that the government, under the guise of some phony, alarmist, pseudo-scientific rhetoric, should attempt to control the evolution of consciousness. After all, if these things truly are consciousness-expanding, it doesn't take too much intelligence to realize that it is the absence of consciousness that is causing our flirtation with extinction and planetary disaster.
Whether it is under the guise of survival and self-defence or directly expressed through dominion and greed, the failure to recognize the common humanity shared by us all lies at the heart of our difficulties. To overcome it, we should begin to develop, from the level of the individual through that of society to the world at large, what I call a sense of universal responsibility; a deep respect for every living being who lives on this one small planet and calls it home.
Gone are the days when African leaders used to misrule their people and the rest of Africa was quiet under the guise of what was called non-interference.
When I look back over my novels what I find is that when I think I'm finished with a theme, I'm generally not. And usually themes will recur from novel to novel in odd, new guises.
He who desires to become aware of the hidden light must lift the feeling of fear up to its source. And he can accomplish this if he judges himself and all he does. For then he sheds all fears and lifts fear that has fallen down. But if he does not judge himself, he will be judged from on high, and this judgment will come upon him in the guise of countless things, and all the things in the world will become messengers of God who carry out the judgment on this man.
I do like putting scenario and story first, and I actually like masking whatever I want to say in the guise of genre.
There can be no better grounding for a lifetime as an author than to see humanity in all its various guises through the lens of the reporter for the town.
Middle-class kids get to play, develop their thinking ability. Poor kids are much more likely to get regimentation under the guise of socialization. On top of it, we have huge segregation in early childhood programs. I don't see these patterns changing anytime soon, and that's a big obstacle.
I suppose most writers are following Twain's advice to tackle what they know, and my own readings habits drew me to writers who seemed to be writing honestly from their own experiences, whether they presented it in the guise of fiction or not.
You can't hide behind the guise of fiction. No matter how autobiographical a fictional scene is, you can always tell the reader - in protecting yourself - that you made it up.
In December of 2002, the late Richard Corliss, a respected movie critic with a long and illustrious career, wrote an embarrassing letter of support for the invasion and occupation of Iraq and Afghanistan in the guise of a Time magazine review of Peter Jackson's The Two Towers.
Commercial interests with their advertising industry do not want people to develop contentment and less greed. Military interests in economic, political, ethnic or nationalist guises, do not want people to develop more tolerance, nonviolence and compassion. And ruling groups in general, in whatever sort of hierarchy do not want the ruled to become too insightful, too independent, too creative on their own, as the danger is that they will become insubordinate, rebellious, and unproductive in their alloted tasks.
I think . . . that philosophy has the duty of pointing out the falsity of outworn religious ideas, however estimable they may be as a form of art. We cannot act as if all religion were poetry while the greater part of it still functions in its ancient guise of illicit science and backward morals. . . .
There are those, on the one hand, who hope to achieve the social revolution through the State by preserving and even extending most of its powers to be used for the revolution. And there are those like ourselves who see the State, both in its present form, in its very essence, and in whatever guise it might appear, an obstacle to the social revolution, the greatest hindrance to the birth of a society based on equality and liberty, as well as the historic means designed to prevent this blossoming.
There is a frantic race to merchandise tinsel and trash under the guise of 'modernism.'
Americans aren't buying the hate these anti-LGBT extremists are selling, so they've been forced to take their take their dangerous rhetoric abroad. These radicals are now travelling from country to country advocating for the persecution of LGBT people under the guise that they're saving children.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
The conversation of those who like to lord it over us is very disagreeable. But we should always be ready to graciously acknowledge the truth, no matter in what guise it comes to us.
It's much easier to put yourself out there under the guise of a character. You get a different name, different habits, different words. When I have to just be Nathan, that's when I feel vulnerable.
There used to be the Soviet Union and the Warsaw Pact. There used to be Soviet troops in the GDR. And we must honestly admit that they were occupation troops, which remained in Germany after WWII under the guise of allied troops. Now these occupation troops are gone, the Soviet Union has collapsed, and the Warsaw Pact is no more. There is no Soviet threat, but NATO and U.S. troops are still in Europe. What for?
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