You've got this piece of wood and some wires, pickups and some strings. How somebody uses that configuration to make something memorable, that's what's interesting to me.
I have this really beautiful Martin guitar, and it just kind of writes songs for me.
It's the hillbilly rock, beat it with a drum. Playin' them guitars like shootin from a gun. Keepin' up the rhythm, steady as a clock. Doin' a little thing called the hillbilly rock.
Weedly-weedly-wee, make a face, hold your guitar like it's your weenie, point it heavenward, and look like you're really doing something. Then, you get a big ovation while the smoke bombs go off, and the motorized lights in your truss twirl around.
Yeah. I started using them [SDD-3000s] shortly after first working with Edge on The Unforgettable Fire. Basically, I stole his sound. It wasn't a complicated rig: just a guitar he liked through a Korg SDD-3000 digital delay into a Vox. Three components, mono - that's it. The great thing about the Korgs is its three-position level switch, which lets you hit the amp with about 10 extra dB. It's more overdriven than if you just plugged the guitar straight into the amp, even when it's on bypass. But a lot of the guitar sounds on Achtung Baby were recorded through a Korg A3 effects processor.
I feel like I'm just learning how to play the guitar. I mean, really learning to play the guitar
As a guitar player, you can gravitate to the blues because you can play it easily. It's not a style that's difficult to pick up. It's purely emotive and dead easy to get a start with.
Everywhere I go, there are all these Big Star freaks, and they’re nice little guys who are usually in college, and they’re kind of lonely and misunderstood, learning to play guitar.
There' something about universal truths with the simplicity of the acoustic guitar. You can take it anywhere and it helps me reach listeners of all ages and walks of life.
I think I will just use guitar as backing. I'm not doing a traditional folk thing, but a contemporary thing-my own version of folk, if you like.
I write to the beat and let life play the guitar strings
All gut strings. Thats just the first kind of guitar I played, it was a nylon string guitar. And to me, its the purest form of guitar making, and I just enjoy doing it.
A man can’t have too many guitars or too many shotguns.
When I was studying at Berklee, I got the feeling I couldn't play the [guitar] at all, because I could not use my own things as they didn't fit any set pattern. When I joined [Chico Hamilton], he helped me immensely to develop my own style. He never forced me in any set way. At all times, he encouraged me to be myself on the instrument.
I heard the Beatles and the Stones, and Mom bought me an electric guitar. I played lead for four years and then switched to bass. One day someone suggested that I should sing, so I sheepishly stepped up to the microphone and the rest is rock history.
Blues music is becoming more and more popular than it ever was. I'm always meeting people on the road that are really young, and are guitar players.... male and female.
I actually bought a travel guitar, and that guitar is really cool. You can actually fold the guitar, and you can plug headphones into it, but it's acoustic, or semi-acoustic.
Gary Burnetts office is shelved with theological books, guitars fill the floor, and the drawers are crammed with CDs. In The Gospel According to the Blues, Gary brings his vocation as a New Testament teacher together with his passion for the blues and gives the reader scholarly knowledge and wise insight.
After the Soft Boys I just didn't want to work with any more guitarists.
With Pearl Jam, everybody is so good at what they do, it's hard to get up the courage to say, Can I sing this part, or, I want to play guitar. I feel like I have more courage to do that.
I still play that guitar. It's a Martin D-18 with a clear pick guard. I've played that guitar on and off my TV shows for nearly 50 years.
I started writing songs when I was 10. It was a natural way to express myself as a kid. It wasn't until I started listening to jazz, joined the choir and picked up a guitar that my little hobby became something far more serious.
The disenfranchised offspring, along with an entire ageless class of human discards, know only that they are doomed. They are drawn to spikes and pentagrams, gasoline, guitars screaming like whips, MIDI-programmed Thanatos, with sufficient amplitude to occupy that hollow space where consciousness once resided. These Dionysians obliterate themselves by removing filters, ultimately becoming insensate with sensation. This mode of behaviour originates in the superstitious belief that transcendence is acquired in the precise ratio by which reason is destroyed.
There were some older guitarists on my side of town, and I got to know many of them
I don't play for the guitarists in the audience. I play for the musicians.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: