In 1974, when I started working with the material that became Horses, a lot of our great voices had died. We'd lost Jimi Hendrix and Jim Morrison and Janis Joplin, and people like Robert Kennedy, Martin Luther King and Malcolm X.
All my big heroes are literary, writers. I'd love to meet Jimmy Hendrix or John Coltrane, but I'd much rather meet Thomas Wolfe, or F. Scott Fitzgerald. Words and books have always meant a lot to me. That someone can take words and string them together to where they will move me is just a hell of a thing. It's amazing to me; more amazing to me than music or painting. It's always been the written word or the spoken word, like a great lecture or a great lyric, or a great poem. To me it's just amazing. And I always aspire toward capturing that, or my version of it.
You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.
The best thing I ever heard was in the '60s. I heard Jimi Hendrix play 'I Can Hear The Grass Grow' after a rehearsal, and it was brilliant.
When I started reaching teenage years, I listened to everything that was on the radio like everyone else did, which was Chuck Berry, Beach Boys and then of course The Beatles, Stones. And of course in the 60's, I was completely blown away like everyone else by Hendrix, Cream, Deep Purple, Jeff Beck and all of that... so those were my influences.
I was very drawn to music of all types, from Beethoven to Jimi Hendrix. There were musicians and composers who obviously were expressing a vision that was beyond the mundane.
I didn't even think I would make it that long. I thought I would drug overdose, like Jimi Hendrix. I thank God every day to even be here.
Blues artists now try and stay in a box. Back in the day at all the clubs you would see James Brown, Jimi Hendrix, The Isley Brothers, Little Richard and Etta James all play the same venues. It was a mix of funk, soul, blues and rock 'n' roll.
Jimi Hendrix is the greatest guitar player in the world... a guy who mastered that instrument. It was talking when he played. And when he did a solo, he made the guitar cry - or made it sound like it was coming from the devil's amplifier.
You ready? I have gold teeth, I have braids, I'm wearing Rick Owens moon boots, I have rips in my denim, a biker vest, I love artsy girls, my favourite artists are Jimi Hendrix and John Lennon. I'm obsessed with being different.
Wong Kar-Wai is a really great inspiration. He's always referred to as the Jimi Hendrix of filmmaking.
What excites me about a lot of the artists I love - and I realize, well, they created their own personal world that I could enter into through their music and through their songwriting. There's people that can do it instrumentally, like Jimi Hendrix or Edge of U2 or Pete Townshend. I didn't have as unique - a purely musical signature. I was a creature of a lot of different influences.
I love rock and roll. Sometimes I feel like I was born in the wrong decade because I love Led Zeppelin and Jimi Hendrix and... those are my bands.
Who I am as a guitarist is defined by my failure to become Jimi Hendrix.
Hendrix inspired me, but I was still more into Wes Montgomery. I was also into the Allman Brothers around the time of those albums.
I was impressed by Hendrix. His attitude was brilliant. Even the way he walked was amazing.
Jimi Hendrix came on TV on this documentary and it was this African-American soulful black guy, playing an electric guitar, which I'd just started. And it just blew my head off. I had like an afro at the time, too. It was a bit all over the place. And it wasn't a thing to have an afro. No, that's kind of quite old school. You're supposed to have like a neatly cut shaped up haircut.
I was impressed by Hendrix. Not so much by his playing, as his attitude - he wasn't a great player, but everything else about him was brilliant.
By that point, I was about 12, 13 years old. I was this young black kid into rock music, which was kind of strange. People would always assume I'd be into like more modern R&B, which is a stereotype, but that was kind of what was expected. And I had all these guitar magazines of all these musicians that didn't look like me. So I assumed Jimmi Hendrix was one of those.
I grew up on a lot of early Beatles, DC5, Cream, Clapton, Page, Beck and Hendrix.
I was lucky to have a guitar teacher who asked me what I wanted to learn. I brought in "High & Dry" by Radiohead and "Mr. Jones" by Counting Crows and he was like, "Alright, I'm gonna teach you these, but you're also gonna learn some stuff that I want you to learn." He taught me Jimi Hendrix and Eric Clapton, so I was getting the technical stuff and the fun stuff.
I was listening to Jimi Hendrix; I just admire his artistry and creativity as an artist.
You're never going to see the fat Elvis in me. People I admired like Janis Joplin, Jimi Hendrix and John Belushi all died at 27. I've got jeans older than that.
You know, when Michael Jackson does the moonwalk, he's showing off! When Prince or Hendrix do a guitar solo, it's confidence! I would hate to be at a show and some nervous wreck is sweating up there and doesn't feel like he deserves to be there.
I know about Woodstock probably as much as your average person who is over 30, where I'd know Jimi Hendrix, Janis Joplin, Grateful Dead.
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