I really love hip hop. My cousin Nas came out with an album Life Is Good, and I love that album, but I also love Maroon 5.
I am so all over the place with my music taste, it's ridiculous. It is! I mean, I find myself listening to weird things like hardcore techno music and then I'll be listening to mainstream hip-hop music. But it's like I am so crazy with my music taste. I'll listen to a song, I'll become obsessed with it, and then I'm on to the next one. So it's just very inconsistent.
Hip hop has been an integral part of my life and my whole career. I started off doing videos with Ice Cube, and Dre, and Mary J. Blige, and TLC. So I've been involved in hip hop since the beginning.
I've been writing songs since I was 10 years old and always had a penchant for rhyming. I started listening to hip hop through my friends and fell in love with it.
I feel like I have a very unique perspective especially for someone in the hip-hop genre. I'm not afraid to explore it, and how my upbringing then shapes my music and being a New York kid and all of that stuff...that's really the most unique thing I can offer to the music in general.
Hip-hop, you can't really do that when you're in your 50s.
Like any great art, the culture of hip-hop has changed with the times. With the state of technology, music is more accessible and freely exchanged. For hip-hop to grow while keeping a sense of integrity, the essence of the culture has to be handed down and respected like any high form of art.
I wouldn't even say the internet is a gift and a curse for hip-hop. All types of music are bootlegged, including movies which are bootlegged.
I've always been able to write rhymes and that would be like when you consult with your girl. When I'm mad and s - t like that I would throw headphones on and close my room door, when I'm mad I just close the door with my girl and f - k her. In so many different ways hip-hop has been like my girl and it's always been there to hold me down.
Sometimes I'm just a little bit too honest. There was some things that were going on behind the scenes that I didn't like because it's not what hip-hop is about. Hip-hop is about honesty and it's about being real to the people, and I kinda felt like there's some instances where some artists aren't 100% honest with the people. Their integrity is lacking sometimes. And sometimes it comes out.
I had Ice Cube on my first album, "Bunker," and then I did a remix for Snoop Dogg. I've worked with Grandmaster Flash and Pharrell. It's a different work process and there's a different take with how you produce [hip-hop].
What I value most in new music today is strangeness, oddity. Passion. And humor. I listen to a lot of hip-hop because it combines so many things like that.
I'm a hip-hop head, I grew up with it. So I've always loved the music.
I have a very family-like connection to hip-hop, which is why it frustrates me so much.
I was fed by the music I listened to as a kid. Hip-hop fed me psychologically, spiritually, politically. I learned from that music.
There are situations where I'm uncomfortable saying, "I'm a hip-hop artist." In some circles, the response is like, "Oh, OK, so... you have whores and your ties are shiny?"
There's a need for pop. There's a need for radio. There's also a need to understand the brilliance and the depth of jazz and soul - and what hip-hop can be at its most brilliant and what hip-hop can be at its most simplistic.
The battle thing is very important in hip-hop, but at the same time, I want to sit down and have a beer and listen to Rakim.
All the forms of popular music from jazz to hip-hop, to bebop, to soul [come from black innovation]. You talk about different dances from the catwalk, to the jitterbug, to the Charleston, to break dancing -\-\ all these are forms of black dancing...What would [life] be without a song, without a dance, and joy and laughter, and music.
Justin Broadrick has stated that the drum machine sound was heavily influenced by hip hop artists in the late 80s, particularly the beat on “Christbait Rising” which Broadrick was quoted as saying, “It was my attempt at copying the rhythm sample on 'Microphone Fiend' by Eric B & Rakim”.
I park two blocks away from Nickelodeon studios and I hop on my skateboard and I skateboard the rest of the way to the studio.
I am a hip-hop fanatic, and rock fanatic.
The music of the westerner comes from Africa, whether they like it or not. The majority of the instruments of the music, of the pop music, rock and roll, or R&B, hip hop, whatever it is, their roots trace back to Africa. So if you are black, white, yellow, or red, whatever you do, it doesn't matter, because your DNA is back in Africa.
Whether or not I can get an interview from hip-hop media, that's not going to effect whether or not I can go on tour in Asia and Europe and see all of these different places and experiences.
Most people think its sex, money, and drugs but Hip-Hop is about lyrics, storytelling, and everybody having a different style. That's just another idea of beautiful, being yourself and creating music that represents you and what you like.
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