The sordid qualities imputed to the enemy are always those which we recognize as our own and therefore rise to slay, because only through projection do we realize the enormity and horror of them.
It [horror genre] never dies. It just keeps getting reinvented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.
He shook my dozing soul and threw the cold water of reality in my face, so that life and God and heaven and hell broke into my world with glory and horror. (on CS Lewis)
The bigger the issue, the smaller you write. Remember that. You don't write about the horrors of war. No. You write about a kid's burnt socks lying on the road. You pick the smallest manageable part of the big thing, and you work off the resonance.
Horror found me. I got into the movie business to make westerns.
I love horror movies. A good horror movie is always great.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
Marx was wrong. Religion is not the opiate of the people. Opium suggests something soporific, numbing, dulling. Too often religion has been an aphrodisiac for horror, a Benzedrine for bestiality. At its best it has lifted spirits and raised spires. At its worst it has turned entire civilizations into cemeteries.
One could make money and get a career going with a low-budget horror film about killers attacking on holidays. It is always flattering to have somebody copy you.
There are things we could do like let Brad Dourif play Charles Lee Ray's brother or father , something like that, but I think any of those options would've been squarely in the horror-comedy realm.
Horror has been a genre since the beginning of cinema, all the way back to the days of silent films. I don't think it will ever go away because it's so universal. Humor doesn't always travel to other countries, but horror does.
You have to remember, that insane people can do some horrors themselves. I had committed no crime, though. I hadn't shot anybody. Yet.
It's not that I'm not a horror fan, it's just that the horror scripts I've been sent have been rubbish and obvious. Because they usually are in horror films - it's just about scare factor. You're always one step ahead, you know who's going to die first, you know who's going to survive, you're going to get a jump every twenty minutes.
I love horror films, but it's more than an adrenaline rush for me. I love them because I know they scare me. It's kind of like I go on roller coasters, but I'm terrified of roller coasters, sort of thing.
I knew I wanted to work with Brad [Falchuk] and Ian [Brennan] again on something comedic, and we are having a blast writing SCREAM QUEENS. We hope to create a whole new genre - comedy-horror - and the idea is for every season to revolve around two female leads.
Photojournalists know the horrors of war can only be exposed at close range. Kodak Film.
I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.
I want to have an ending where people say: "That's the most shocking ending I've ever seen in a mainstream horror film."
I love a good laugh as well, I think that's so important in life, which is probably why I've dabbled in comedy writing as well as horror. I think if you can make someone laugh or smile it's the most special thing in the world.
When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters.
The adjuration to be "normal" seems shockingly repellent to me; I see neither hope nor comfort in sinking to that low level. I think it is ignorance that makes people think of abnormality only with horror and allows them to remain undismayed at the proximity of "normal" to average and mediocre. For surely anyone who achieves anything is, essentially, abnormal.
A horror novel should reveal to you that you are falling apart. That there are ways your imagination can be made different. Can threaten what you think is. You should be holding onto that tree or rock screaming. Or laughing. Not at absurdity, either: absurdism is just a bourgeois and reactionary nostalgia for good, stable meaning.
It's the comedies and thrillers that are successful. People love horror, but in thrillers. Once you speak of pain and suffering it's a different matter.
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
I was horrified of the dark. I realized that the only way I could get over that fear was by scaring other people, so I became obsessed with ghost stories, drawing monsters, watching monster movies, sneaking into horror movies, and it's just been the love of my life forever.
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