The movie business has always been like the wild-catting oil business. Everyone wants a gusher.
We don't make movies to make money, we make money to make more movies.
The core of the movie business remains intact and it's not descending in scope. Studios want movies that are bigger than ever.
When your in the movie business you have a start date and a stop date.
It's actually shocking to me how hard it's been to get back into the movie business.
I've been in the bargain basement of the movie business.
I've been around the movie business, so I can play it cool and all that, but when people are different they have that off thing about them. Their whole presence is just a little innocent, I think.
I feel I belong in the movie business and I belong in the security business. It's a natural for me.
I don't know what is in store for the movie business any better than anybody else does, but it does seem like my kind of movies are a little trickier than it used to be - or maybe a lot trickier.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.
First of all, just knowing people who grew up in the movie business at that time, no one had Mexican maids.
I don't really know anything about the movie business, even though I've lived in Los Angeles my whole life - somehow I've never bumped into it.
The left-leaning thinking that dominates the movie business follows a common liberal instinct to deny the spiritual dimension to every problem, thereby profoundly compounding the difficulties.
One big lesson I learned from movie [making] was I don't do creative projects that I headline unless I have all the control. I can't deal with having to live with other people's screw ups, and that's just sort of the way the movie business works. The people with the money are in charge. Until I'm in charge, I don't want to play that game.
We live in the moment now where this whole movie business is crazy.
Life in the movie business is like the beginning of a new love affair: it's full of surprises, and you're constantly getting f***ed.
Any good business person applies financial discipline to everything they do. The movie business is and should be no different; I don't believe you have to sacrifice creativity to have business success. To the contrary, great art requires discipline.
If you're good at something, never do it for free.
Don't let's ask for the moon.We have the stars.
the art world has always been an unrelenting taste machine, but now flavors of the month have morphed into flavors of the minute. Again, all a reflection of a wider cultural condition. I mean, the art world is slow compared with the music and movie businesses.
See, I'm fortunate that I get around a lot because of my movie business.
The movie business is very much like that: people in authority making purely emotional decisions instead of interesting rational ones.
The only times you'll see me in terms of the movie business is when I have to go to the premieres of my own movies. I don't go to see ones that aren't mine because I don't even like going to mine.
Rob [Reiner] is a teddy bear. He's hell delicious. He's a really good director. He's a great soul. In the movie business, I would call him a movie mom. The only person I hold in equal esteem is Clint Eastwood. Now I have worked with a lot of terrific directors, and I don't mean to be putting any of them below their own station, but these two, I relish working with them.
There is, of course, a world of difference between cricket and the movie business ... I suppose doing a love scene with Racquel Welch roughly corresponds to scoring a century be fore lunch.
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