The left-leaning thinking that dominates the movie business follows a common liberal instinct to deny the spiritual dimension to every problem, thereby profoundly compounding the difficulties.
I don't really know anything about the movie business, even though I've lived in Los Angeles my whole life - somehow I've never bumped into it.
People ascribe a certain kind of silliness to the movie business. Everybody feels like, "In the movies, they do crazy stuff."
I'll walk through fire to do what I do because the movie business, when it's right, is the coolest art form ever invented.
I think I've always been kept grounded. I've never been too involved with the movie business apart from just doing the film. I've never moved out to LA like a lot of people or been too drawn in by that.
I'm in the movie business; it's meant to be very cutthroat. But you won't find anybody that ever says I cheated them or manipulated them.
When television came in, everybody thought that was the end of the movie business, which was not and is not.
The movie business is based on criminals. Some of them are in movies and some of them make movies.
One of the things I noticed about the world was - it's funny, in the movie business, you meet a kind of guy who has a lot of money, whether they came by it as an actor or film-studio owner, and you realize these people aren't any smarter than you might be, or any more decent than you might be. It's just this weird fate of the world that it broke one way for someone.
Everyone is so preoccupied by youth. People talk about how the movie business is a microcosm of the bigger picture, or life imitating art, but the business is guilty for getting women out of the way.
If you make something good, eventually the audience will be there, eventually there will be something on the Internet that is a cultural phenomenon that's not available anywhere else, that's not available on television broadcasts, that's not on cable, it's only on some Web site. And the world will find it. And when that happens, it will be what the 'kiss' was to the theatrical movie business, 5,000 years ago or whenever it was.
Fashion is not like the movie business, where you can have two great projects in a row and then say, "You know what? I'm going to take off eight months." What am I going to tell people? Wear last year's clothes?
Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
The movie business can be very frustrating and very circuitous; theres no straight path. You have to have tremendous perseverance, dedication and passion. You have to want it very, very badly and you have to deal with a lot of rejection.
Horror found me. I got into the movie business to make westerns.
First of all, just knowing people who grew up in the movie business at that time, no one had Mexican maids.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.
I don't know what is in store for the movie business any better than anybody else does, but it does seem like my kind of movies are a little trickier than it used to be - or maybe a lot trickier.
I feel I belong in the movie business and I belong in the security business. It's a natural for me.
I've been around the movie business, so I can play it cool and all that, but when people are different they have that off thing about them. Their whole presence is just a little innocent, I think.
I've been in the bargain basement of the movie business.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
That's what I like about the movie business: you're always in contact with wonderful and interesting people.
In 24 years in the movie business, you have a lot of doors slammed in your face, and a lot of people say mean things. Every time, I'm constantly surprised at how the span of time gets quicker that I get okay with it, and I'm over it. That's been an interesting thing to learn.
The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something to make a movie about. All the skill in the world isn't going to help you unless you have something to say.
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