The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.
I want to have an ending where people say: "That's the most shocking ending I've ever seen in a mainstream horror film."
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
While I don't like violent programs per se, I do like good storytelling, which made me a fan of shows like Breaking Bad and American Horror Story.
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
Death's just something that inspires me, not something that pulls me down. I used to get called morbid at school. I have always loved horror films; I like being frightened.
Science was blamed for all the horrors of World War I, just as it's blamed today for nuclear weapons and quite rightly. I mean World War I was a horrible war and it was mostly the fault of science, so that was in a way a very bad time for science, but on the other hand we were winning all these Nobel Prizes.
I've always thought that sex and horror belonged together.
For horror to work, you have to be afraid. You have to keep the monster in a black and white light.
I look for every opportunity to mix comedy and horror and tragedy. I love catching audiences off-guard.
It's just occurred to me that some horror films everybody laughs because they're so ridiculous and they're so frightening in a way, the filmmakers' are trying everything, that they just end up being funny.
For some reason, Horror movies, they seem like good date movies. When you go to them it's all high school kids, all over each other, running up and down the isles, no one is even looking at the screen anyways, they figure they don't have to pay attention to the story anyways. We scream and yell... it's like mayhem.
Men born in hot countries love the night because it refreshes them and have a horror of light because it burns them.
Today, the scale and horror of modern warfare - whether nuclear or not - makes it totally unacceptable as a means of settling differences between nations. War should belong to the tragic past, to history; it should find no place on humanity's agenda for the future.
You have to take the horror seriously but there's gags aplenty. Most people, when they do horror it's just grim.
It is true that in the meantime we are suffering deeply in spirit, and incurring the horrors of a war and long oppressions of enormous public debt.
I didn't want to write unless I could say, and think for myself. I looked to peers that I not only respected but those that supported that. I finished becoming who I am today by sticking up for myself as a voice, but that is in part thanks to the huge role the good guys I chose to work with played in my professional development. Some really terrific human beings who loved horror welcomed me with open arms.
If you don't have any money and you want to make a horror movie, take a six-inch wide brush for house painting and dip that in a bucket of blood, and then just flick your wrist. You'll get this great speckled splash of blood, and it will cost you nothing.
Casting is so important in horror. It's so important to have strong actors to tell a story because, if you don't believe in the character, how can you be scared for them?
I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
Visionary experience is not the same as mystical experience. Mystical experience is beyond the realm of opposites. Visionary experience is still within that realm. Heaven entails hell, and 'going to heaven' is no more liberation than is the descent into horror. Heaven is merely a vantage point from which the divine Ground can be more clearly seen than on the level of ordinary individual experience.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
I am trying my hardest to stay away from the horror movies just because I feel like people are thinking that's what I do, that I'm a scream queen. I'd like to stay away from that.
I love musicals. I love horror movies and I love art movies.
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