Lucy, dear child, mind your arithmetic. You know in the first sum of yours I ever saw there was a mistake. You had carried two (as a cab is licensed to do), and you ought, dear Lucy, to have carried but one. Is this a trifle? What would life be without arithmetic, but a scene of horrors.
When it's a comedy or drama or horror or romance, it's all the same. You want to be honest with the character. You want to play truthfully and you want to be genuine with your character.
I am trying my hardest to stay away from the horror movies just because I feel like people are thinking that's what I do, that I'm a scream queen. I'd like to stay away from that.
This is the true horror of religion. It allows perfectly decent and sane people to believe by the billions, what only lunatics could believe on their own.
What scares me is what scares you. We’re all afraid of the same things. That’s why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you’ll know what frightens me.
At the time I came along, Hollywoods idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!
I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
I never got in this business, in cinema, to make horror movies. They arrived on my doorstep and I got typecast. Which was fine, I enjoy it, but I got into this business to make westerns. And the kind of westerns I used to see, they died. So that didn't work out.
The idea of infidelity [a disbelief in the inspiration of the Scriptures or the divine origin of Christianity] cannot be treated with too much resentment or too much horror. The man who can think of it with patience is a traitor in his heart and ought to be execrated [denounced] as one who adds the deepest hypocrisy to the blackest treason.
An excellent indie horror book with a wholly original premise.
Horror stories have always worked on film. It's where they work. That's where vampires and ghosts and UFOs are real. They're not particularly real in life, but they're real on the screen. It's the communal aspect of movie-watching.
Let us therefore reject all superstition in order to become more human; but in speaking against fanaticism, let us not imitate the fanatics: they are sick men in delirium who want to chastise their doctors. Let us assuage their ills, and never embitter them, and let us pour drop by drop into their souls the divine balm of toleration, which they would reject with horror if it were offered to them all at once.
Horror is always the same. It changes with the culture and changes with technology. The stories are always the same. There are just two basic stories in horror, two simple ones -- evil is outside and evil is in here [points to his heart].
It [horror genre] never dies. It just keeps getting reinvented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.
Horror has been a genre since the beginning of cinema, all the way back to the days of silent films. I don't think it will ever go away because it's so universal. Humor doesn't always travel to other countries, but horror does.
I thought it was great fun to scare people. I also knew it was socially acceptable because there were a lot of horror movies out there.
The first movie I ever saw was a horror movie. It was Bambi. When that little deer gets caught in a forest fire, I was terrified, but I was also exhilarated.
The sordid qualities imputed to the enemy are always those which we recognize as our own and therefore rise to slay, because only through projection do we realize the enormity and horror of them.
Like comedy, horror has an ability to provoke thought and further the conversation on real social issues in a very powerful way.
Define the space horizontally rather than vertically in movie widescreen, 2.35:1 just having that rectangular shape and when you think of great horror movies like Halloween and Jaws that just really exploit the space so well and I just think we would have so many more opportunities in creating suspense and shocks.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
I want to have an ending where people say: "That's the most shocking ending I've ever seen in a mainstream horror film."
It's not that I'm not a horror fan, it's just that the horror scripts I've been sent have been rubbish and obvious. Because they usually are in horror films - it's just about scare factor. You're always one step ahead, you know who's going to die first, you know who's going to survive, you're going to get a jump every twenty minutes.
The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
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