The main thing I like about New Yorkers is that they understand that their lives are a relentless circus of horrors, ending in death. As New Yorkers, we realize this, we resign ourselves to our fate, and we make sure that everyone else is as miserable as we are. Good town.
What bother me, not "bother me," exactly; that's not the right way to put it. But especially in the horror genre, once a movie like Paranormal Activity comes out and becomes popular - and that's a totally fine and valid movie - everyone starts copying it. Everything becomes a found-footage movie that looks like somebody shot it with their phone.
I was horrified of the dark. I realized that the only way I could get over that fear was by scaring other people, so I became obsessed with ghost stories, drawing monsters, watching monster movies, sneaking into horror movies, and it's just been the love of my life forever.
I like horror, but I tend to like it as seasoning. I'd get very bored if I was told I had to write a horror novel. I'd love to write a novel with horror elements, but too much, and it doesn't taste of anything else.
I don't really get philosophical, but I believe that nice people are strong and usually in my horror stories, I don't like to write about the old standard where some rotten guy gets chased by a mean spirit that gets him in the end.I'd rather write about nice people that are menaced from outside by some sort of evil power and who sort of slug it out.
I wanted to write a balls-to-the-wall supernatural horror story, something I haven't done in a long time.
I've been typed as a horror writer, and I've always said to people, "I don't care what you call me as long as the checks don't bounce and the family gets fed."
When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters.
There are a lot of people in the field [ of horror stories] that I do read. There is a lot of stuff that is written in this field, though, that is not very good. You just have to look for the good stuff.
Photojournalists know the horrors of war can only be exposed at close range. Kodak Film.
With pornography, if you don't get hard or wet, depending on your gender, it didn't work. With humour, if you don't laugh it didn't work. And with horror, if you don't get scared or haunted, depending on what it's trying to do, it didn't work. I'm fascinated by those three categories.
It is of interest to note that most secular humanists continue to belabor the horrors of the Inquisition in order to establish the moral depravity of Christianity.
No child asks to get born, so when they are here, they should be shielded from any possible horror.
I certainly realize that not only do I like the horror genre, but I'm getting really good at it and I'm having a good time making them.
And another thing about German symphonic development. I tell you, our cold kvass soup is a horror to the Germans, and yet we eat it with pleasure. And their cold cherry soup is a horror to us, and yet it sends a German into ecstacy. In short, symphonic development is just like German philosophy and soup-all worked out and systematized. When a German thinks, he reasons his way to a conclusion. Our Russian brother, on the other hand, starts with a conclusion and then might amuse himself with some reasoning.
I love horror films, so I guess it's one of those things where I find myself interested in the script.
Lucy, dear child, mind your arithmetic. You know in the first sum of yours I ever saw there was a mistake. You had carried two (as a cab is licensed to do), and you ought, dear Lucy, to have carried but one. Is this a trifle? What would life be without arithmetic, but a scene of horrors.
Every sensible man, every honorable man, must hold the Christian sect in horror.
I like old school horror movies like Exorcist. I always loved scaring myself and I don't know at all what that's about.
As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.
I am trying my hardest to stay away from the horror movies just because I feel like people are thinking that's what I do, that I'm a scream queen. I'd like to stay away from that.
The bigger the issue, the smaller you write. Remember that. You don't write about the horrors of war. No. You write about a kid's burnt socks lying on the road. You pick the smallest manageable part of the big thing, and you work off the resonance.
The idea of infidelity [a disbelief in the inspiration of the Scriptures or the divine origin of Christianity] cannot be treated with too much resentment or too much horror. The man who can think of it with patience is a traitor in his heart and ought to be execrated [denounced] as one who adds the deepest hypocrisy to the blackest treason.
The good of the governed is the end, and rewards and punishments are the means, of all government. The government of the supreme and all-perfect Mind, over all his intellectual creation, is by proportioning rewards to piety and virtue, and punishments to disobedience and vice. ... The joys of heaven are prepared, and the horrors of hell in a future state, to render the moral government of the universe perfect and complete. Human government is more or less perfect, as it approaches nearer or diverges further from an imitation of this perfect plan of divine and moral government.
It takes a disciplined imagination to acknowledge that the less personal savageries of bombs, missiles, artillery and heavy weapons are, to those blown to smithereens, also barbaric. The main horror of what the coalition is doing is not a matter of the occasional soldier who, in the heat of battle, commits a war crime, but the steady destruction rained on cities, villages, the Iraqi people. This violence is wreaked calmly, from a distance, within the rules of engagement. The war itself is the American war crime.
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