I don't write huge books any more. I used to write 1,000 printed pages, but now I write short books. I did one on Napoleon, 50,000 words - enjoyed doing that. He was a baddie. I did one on Churchill, which was a bestseller in New York, I'm glad to say. 50,000 words. He was a goodie.
I think alcohol is a good drug for me when I'm writing. I don't think I've ever had a problem with it. I can stop for a few weeks, so I think it's okay. I don't think it's good for my liver, but I do love it. It's a huge part of my life, and it makes me happy.
Digital technology has eaten classic radio as we know it. Independent stations with disc jockeys who chose their own music have all gone; it's these huge parent companies that own a hundred stations and then decide what we should hear.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
I'm an introvert. Introverts have a huge advantage over extroverts. We can create a mission and we can act on it.
When I started in the music business, travel became a huge part of my world, where it hadn't been at all. I visited parts of the world that I'd never been to and found that I was spending maybe 30 days at home a year.
I'm not a fan of 3D. But I am a huge fan of digital imagery. Because it allows a filmmaker much more latitude to appreciate their own visions and dreams.
I love playing real people. It's a huge challenge and responsibility which I take on board and which I relish. It also scares me to death. Give me a totally fictional character and I don't have the same sort of responsibility. If, though, I play Sigmund Freud or Robert Maxwell or whoever then there is a responsibility.
I'm a huge romantic comedy fan and have been in this business for 17 years and I think for all 17 I'd hoped and dreamed and wished to some day be in a romantic comedy myself.
Apart from The Holiday, I haven't really spent a huge amount of time in LA. Not that I avoid it, it's just that I don't often go there unless I'm doing press. The one thing I have discovered about LA with kids is that it's really great for children. They really like the sun and making sand castles.
I think there's something thrilling about going into a movie house and seeing everything on such a huge screen. I think we're in a culture now that is confronted with various sizes of screens, the biggest movie houses and then the smallest iPods.
I also have always felt that television has a huge potential for the kinds of audiences that some films would never dream or ever be able to have. So that potential is very exciting to me.
I used to be a huge fan of Heavy Metal magazine growing up, and I was exposed to Cobalt there and fell in love with the character and the world. I've tried to track it down and pursue it myself to make a movie out of it. Also I felt like the thing that's cool about Cobalt is it does have a culty kind of underground quality to it that I really like.
Having emotional connections to things that don't really exist, like looking at a green ball and really loving that green ball, and being sad whether it's around or not. Stuff like that. I've never done acting at this level before so it was a huge challenge for me. It was a hurdle to overcome just to survive.
Шn Hollywood actresses say they can't go above a size 6. I think everybody is operating in this huge bubble of fear. I don't think the world will come crashing down on you if you're a size 8.
I'm very introverted, so it requires a huge effort for me to put on a smile and extend a hand and accept compliments. I would much rather be insulted than complimented any day.
I think that when you create something or at least try to create something, you slither between excitement and pleasure and you understand this huge emotional frustration. You did one feat, then you go back one.
One thing I've noticed is that I can tell when a young actor or a young actress is going to become a huge star. Everybody else will say, "Oh come on, Michelle Pfeiffer, are you kidding?" and I'm pretty much always right about that.
I'd be fine to make movies and have them never come out. But you have to deal with the business side. You can't get too emotionally invested, because again, you've got no control. There's going to be some huge film out that everyone goes to, and it probably won't be mine.
I was a huge Ann-Margret fan, and I wanted to be like her.
If you're playing a historical character that's in the public consciousness, then obviously you've got to make an effort to look like that person and there's a huge amount of historical record there that you have to kind of comply to.
There are great people everywhere, and there are all kinds of exceptions to any generalizations, and it was a huge privilege for me to get to learn that.
Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more.
I'm not a huge fan of covers in general, but collaborations always make them more fun - they're sort of neutral territory.
I think it's important for people to be aware of the impact that climate change is having on this huge community of people.
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