Democratism and its allied herd movements, while remaining loyal to the principle of equality and identity, will never hesitate to sacrifice liberty.
When we live life centered around what others like, feel, and say, we lose touch with our own identity. I am an eternal being, created by God. I am an individual with purpose. It's not what I get from life, but who I am, that makes the difference.
Don't put the whole of your identity into the smallness of a situation.
To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.
Corporate identity specialists spend their time rechristening other companies, conducting a legal search and a linguistic search to insure that the name is not an insult in another language.
I have fashion designers that I definitely respect. After working for a few years in the industry, you want to branch out and do your own thing and I think that's something that has always been important to me is strengthening the brand and just sticking to "this is who we are, this is our identity, this is who we're going to be". I definitely respect other designers but I don't necessarily have one that I look up to.
I look white to a lot of people. And I'm not. I'm African-American. I'm mixed. I like to call myself Mulatto because that definition fits. So, you know, I've dealt with the conflict my whole life between how I look and my actual ethnic and racial identity.
I like the idea of having a paperless society.But to be paperless means you have to be so careful with your identity.
you must not, under any circumstances, allow yourself to hate. Not because your tormentors have not earned it. But if you allow hatred to take root, it would flourish and spread during your years in the camps, driving out everything else, and ultimately corrode and warp your soul. You will no longer be yourself, your identity will be destroyed, all that will remain will be a hysterical, maddened and bedevilled husk of the human being that once was.
I am a Black Lesbian Feminist Warrior Poet Mother, stronger for all my identities, and I am indivisible.
As a Black lesbian feminist comfortable with the many different ingredients of my identity, and a woman committed to racial and sexual freedom from oppression, I find I am constantly being encouraged to pluck out some one aspect of myself and present this as the meaningful whole, eclipsing or denying the other parts of self. But this is a destructive and fragmenting way to live.
What we assert, very often can become our reality. To some degree, everybody can try to shape and control their fate. Everybody picks an identity.
A trite word is an overused word which has lost its identity like an old coat in a second-hand shop. The familiar grows dull and we no longer see, hear, or taste it.
You can be a French Canadian or an English Canadian, but not a Canadian. We know how to live without an identity, and this is one of our marvellous resources.
Memory must be patchy; what is more alarming is its face-savingness. Something in one shrinks from catching it out - unique to oneself, one's own, one's claim to identity, it implicates one's identity in its fibbing.
One is what one remembers: no more, no less.
Hoary idea, in any case, expecting a woman to surrender her name to her husband's in exchange for his. Why? Would any man submerge his identity and heritage to the woman he wed?
I had a family. They can be a nuisance in identity but there is no doubt no shadow of doubt that that identity the family identity we can do without.
human beings seem to hold on more tenaciously to a cultural identity that is learned through suffering than to one that has been acquired through pleasure and delight.
Youth is the season of tragedy and despair. Youth is the time when one's whole life is entangled in a web of identity, in a perpetual maze of seeking and of finding, of passion and of disillusion, of vague longings and of nameless griefs, of pity that is a blade in the heart, and of 'all the little emptiness of love.
Sex annihilates identity, and the space given to sex in contemporary novels is an avowal of the absence of character.
Identity is a very difficult thing in the theatre. As an actor said to me one day, 'What are we doing today?' when we were doing a workshop. And I said, 'Oh, just be yourself'. And he said to me, 'I don't know who that is, I'm an actor'. And I begin to realise in fact that we seek identity because we're told we should have one, but I wonder whether it's necessary.
The great works belong to no one nation, no one cultural tradition even. They are universal.I want an Australian vision of arts policy that is expansive, is embracing, is not narrow, is not parochial. For example, that Australians can do Shakespeare just as well as Englishmen can because we, like every civilised nation, partake of the great canonical works. It's not about Australian nationalism; it's about our identity as a culturally ambitious, culturally sophisticated nation.
The desire to work with Burrows-Charles was really to change NBC's identity, to say, "We want to be in the sophisticated-adult-comedy business."
The only thing that frees you from the need to pretend in order to make people believe you are something when you are actually not is the gospel because the gospel tells you that identity, my meaning, my security, and all of those things are in Christ.
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