Freedom, to me, is imagination, the power of imagination to create what we want and be who we want to be.
Every parent knows this moment in a child's age when he or she needs your attention in a very specific way because it's the beginning and ending of the early life of imagination. It's such a responsibility.
Any person with any imagination is bound to be afraid.
When people insist, as so many of them do, that of course we'll overcome the limits to growth and every other obstacle to our allegedly preordained destiny out there among the stars, all that means is that they have a single story wedged into their imagination so tightly that mere reality can't shake it loose.
Give children toys that are powered by their imagination, not by batteries.
Many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or to peer inside cages; they can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know. I might be tempted to envy people who can live that way, except that I do not think they have any fewer nightmares than I do. The wilfully unimaginative see more monsters. They are often more afraid.
There's really no secret about our approach. We keep moving forward - opening up new doors and doing new things - because we're curious. And curiosity keeps leading us down new paths. We're always exploring and experimenting. We call it Imagineering - the blending of creative and imagination with technical know-how.
One of the problems with traditional anti-capitalist thought is that it defines capitalism as a totality, which encourages us to imagine another totality, socialism, which we can try to replace it with. This totalizing perspective has colonized the imagination of anti-capitalism and left us waiting for a revolution we can never have.
When a certain show or film or celebrity captures the imagination of the masses that has a good deal to say about us, I think, and what is happening in our collective psyche.
I felt the pressure of imagination against the doors of my mind was so great that they were going to burst.
Prophets and artists tend to be liminal and marginal people, "edgemen," who strive with a passionate sincerity to rid themselves of the clichés associated with status incumbency and role-playing and to enter into vital relations with other men in fact or imagination. In their productions we may catch glimpses of that unused evolutionary potential in mankind which has not yet been externalized and fixed in structure.
Part of the creative process for me is an invitation for readers to follow their imagination.
There's a great fear of the imagination. It's a dangerous thing. It's out of control, it's subversive.
I'm not so naive that I didn't know or didn't suspect that, at some point, someone was going to say "You're writing about the occult." My wizarding world is a world of imagination. I think it is a moral world.
We sabotage our creative possibilities because the world revealed by our imagination may not fit well with the life we have taken so much trouble to construct over the years. Faced with the pain of that distance, the distance between desire and reality, we turn just for a moment and quickly busy ourselves.
I don't think it's good to achieve too much at too early an age. What else can the future give you if you've already got all that your imagination has dreamt up for you? A writer is only discovered once in a lifetime, and if it happens very early the impossibility of matching that moment again can have a somewhat corrosive effect on his personality and indeed on the work itself.
In the past we have always assumed that the external world around us has represented reality, however confusing or uncertain, and that the inner world of our minds, its dreams, hopes, ambitions, represented the realm of fantasy, and the imagination. These roles, it seems to me, have been reversed. The most prudent and effective method of dealing with the world around us is to assume that it is a complete fiction - conversely, the one small node of reality left to us is inside of our own heads.
Progress is a farce because man's head and hand have created wonders that stun the imagination, but his heart does not keep step and his morals undo all that his mind has wrought.
Someone will always want to mobilize Death on a massive scale for economic Domination or revenge. And the task, taken As a task, appeals to the imagination. The military is an engineering profession.
Our lives aren't even about doing real things most of the time. We think and talk about people we've never met, pretend to visit places we've never actually been to, discuss things that are just names as though they were as real as rocks or animals or something. Information Age - Hell it's the Imagination Age. We're living in our own minds. No, she decided as the plane began its steep descent, really we're living in other people's minds.
Nature has no outline. Imagination has.
Our reading can affect our imaginations in ways of which we are not consciously aware. It is quite common...to re-read something after a gap of many years and realize that it has been there all along, without any memory of where it was first encountered. But it may have been working away all the time.
The imagination can be happy in places where the whole man is not.
Granny knew all about bad fortune-telling. It was harder than the real thing. You needed a good imagination.
When you will, make a resolution, set your jaw, you are expressing an imaginative fear that you won't do the thing. If you knew you would do the thing, you would smile happily and set about it. And this fear (since the imagination is always creative) comes about presently and you slide down into the complete slump of several weeks or years - the very thing you dreaded and set your jaw against.
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