A great novel is concerned primarily with the interior lives of its characters, as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration.
We're [writers] all afraid of writing badly, and there are psychological reasons, like the bad interior of ourselves is somehow being revealed, but we all fear that, and you can't write well if you're not willing to write badly. That's why you have to make writing a habit, so it feels normal and not strange.
Everyone's so interior now, they're not really looking around them. They're on their phones.
Like any developing country, it has an inequality of wealth. In the Chinese case, it is particularly [pronounced] by the fact that they decided they couldn't make the whole country move forward simultaneously, so they've started region by region. So the interior regions are much less well off than the coastal regions. And this is certainly a huge challenge, because it produces a flow of populations from the poorer regions to the richer regions.
I was a boarding school product from the age of eight, and I hated it. Though I do have a theory that boarding school is good training for writers because its so desperately lacking in privacy: you make space for yourself by having an interior life.
Our real journey in life is interior.
But my view is that you need a system at the border. You need some fencing but you need technology. You need boots on the ground. And then you need to have interior enforcement of our nation's immigration laws inside the country. And that means dealing with the employers who still consistently hire illegal labor.
Get rid at the outset of the idea that the airplane is only an air-going sort of automobile. It isn't. It may sound like one and smell like one, and it may have been interior decorated to look like one; but the difference is - it goes on wings.
As we move into the 21st century, it becomes ever clearer that the ultimate, most intimate territory for design is not electronics, or interiors, or furniture, or the Web. It's us-our own living, breathing, biological selves. ... the personal makeover has become our most fundamental design task.
Acedia is a danger to anyone whose work requires great concentration and discipline yet is considered by many to be of little practical value. The world doesn't care if I write another word, and if I am to care, I have to summon all my interior motivation and strength.
I take the walk to be the externalization of an interior seeking so that the analogy is first of all between the external and the internal.
If I wasn't acting, I think I would like to do interior design. Yeah, because you know, with the Balinese background, and being there and buying furniture, stuff like that. I love to do-up our home, so I would be an interior decorator, for sure.
Surely there must be some way to find a husband or, for that matter, merely an escort, without sacrificing one's privacy, self-respect, and interior decorating scheme. For example, men could be imported from the developing countries, many parts of which are suffering from a man excess, at least in relation to local food supply.
A book is really like a lover. It arranges itself in your life in a way that is beautiful. Even as a kid, my sister, who was the eldest, brought books home for me, and I think I spent more time sniffing and touching them than reading. I just remember the joy of the book, the beauty of the binding. The smelling of the interior. Happy.
If I was made of chocolate I would melt myself in a car to ruin the interior.
The great danger in today's world, pervaded as it is by consumerism, is the desolation and anguish born of a complacent yet covetous heart, the feverish pursuit of frivolous pleasures, and a blunted conscience. Whenever our interior life becomes caught up in its own interests and concerns, there is no longer room for others, no place for the poor.
Superhero science has taught me this: Entire universes fit comfortably inside our skulls. Not just one or two but endless universes can be packed into that dark, wet, and bony hollow without breaking it open from the inside. The space in our heads will stretch to accommodate them all. The real doorway to the fifth dimension was always right here. Inside. That infinite interior space contains all the divine, the alien, and the unworldly we’ll ever need.
I distrust thought. The interior life is highly overrated. I don't like the wispy and the vague... or inductive logic in any kind of writing. I'm impatient with writers who make too much sense. The better things that I've done have come to me by instinct.
It is obvious that any rather non-color, monochromatic design is safe, easier, more generally restful and with life being the hurdy-gurdy that it is, more and more of us prefer and interior giving the maximum response.
The success of an intervention depends on the interior condition of the intervenor.
My parents were both first-generation Irish Catholics raised in Brooklyn. But it was more for me - it was that women of that generation were even less likely to express themselves, more likely to have that active interior life that they didn't dare speak out. So I was interesting in women of that era. I was interested in the language of that era. There's so much. And, certainly, this is cultural, so much there wasn't spoken about.
Every time you have a major breakthrough in self-knowledge, and see the way the divine works within your own psyche, external events, and interior experiences of the divine, you are transformed in some degree.
I think my father would give me the Department of the Interior because of my love of the outdoors, so we can get that going.
Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.
The will and self are ultimately dynamic, they are their actions. This energy can be trained and directed, tuned like an orchestra. It is not a matter of a "rational interior" that poses a problem for a decorator, rather a feng-shui intelligence is called for that orients the "house" to the flow of life that takes place in it (I rather suspect this is turned on its head in most cases of feng-shui, i.e. Americans capitulate once again to "experts").
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