One of the reasons to go to South Africa is because we can create great standing sets, both interior and exterior, and have the opportunity to create an actual water set outside, which will allow us to build a boat and probably part of another ship to be able to really bring that world to life.
The Aston Martin is a beautiful car. It's a work of art, I love the interior and the style of the car.
Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.
Italian women are some of the most beautiful in the world. This is why the Vatican is in Italy. If a man can walk across Italy and retain his celibacy, he's got what it takes to be a priest - or an interior decorator.
I want to do interiors, furniture. I want to do architecture, although I'm not an architect. Nor am I a trained interior designer.
I love actors. I love working with actors. I really enjoy the process. I love having those in-depth discussions about the interior of their character, and actors really love to discuss that too.
Who can tell whether the parallelogram, which in our ignorance we have defined and drawn, and the whole of whose properties we profess to know, may not be all the while panting for exterior angles, sympathetic with the interior, or sullenly repining at the fact that it cannot be inscribed in a circle?
All my pictures are very voyeuristic, but ultimately I'm looking at what lurks in my own interior. I make photographs because I want to answer the question of what propels me to do the things that I do. But that always remains a mystery.
Images embrace us: they open up to us and close themselves to us in so far as they conjure up in us something that we could call an interior experience.
The process of schooling does not give birth to human beings - as education should but never will so long as it springs from the collective consciousness of our culture - but instead it teaches us to value abstract rewards at the expense of our autonomy, curiosity, interior lives, and time.
After a gig I get to the hotel all psyched-up from being on stage and get stuck into 'Homes and Interiors' magazine.
Led by myself and two colleagues, the course offers a newly developed model of spiritual direction that draws on both the age-old wisdom of the church and more recent perspectives. I call it the Passion/Wisdom Model of Spiritual Direction, and I see it as offering the opportunity for our interior worlds and supernatural reality to meet.
I just like watching people who really are not self-conscious, who aren't aware, because I fear that one could become too self-conscious, too artful, as an actor. Sometimes if you look at somebody, you can extrapolate from their exterior what might be happening in their interior. I'm nosy.
I am inspired by working moms. Mothers who somehow balance the demands of their many lives - professional, familial, personal, and interior - and still manage to make time to have fun and invest in themselves! This is a huge challenge that I look forward to taking on.
Those who sit in a glass house do wrong to throw stones about them; besides, the American glass house is rather thin, it will break easily, and the interior is anything but a gainly sight.
My passion is interior decorating. My goal for the next years is to get into carpentry, because I really want to learn how to make my own furniture.
I'm a designer, which includes interiors, architecture, fashion, furniture, and lifestyle.
When I drink a Glass of water, it's thick and crawling with life. My mouth leads to the interior of my body - a caldron of disease, germs, and perversions of biology. I don't exist individually. I'm made of millions of living creatures, eating each other, decomposing, eating each other.
Animals, like us, have rich and spacious interiors. They contain inner landscapes: desert places and lonely canyons, cliffs of madness and rivers or serene awareness that merge in tranquil seas.
I learned capacity for self-reflection very early, finding it through interior monologues that books are so good at and that visual media is so bad at because it's so boring - nothing's happening. In a book, you can be inside the narrator's head for 50 pages, and nothing needs to happen. Then you learn to be inside your own head without something needing to happen. It's a very good antidote to a crazy, restless, "what's next?" culture - that you can just be in your own head and nothing is happening except that this is a rich place. I love that.
I always wanted to make an abstract photograph. I would photograph walls, sports interiors, marks on the walls people made. Even looking back it makes so much sense. It's like it was a fight against the photograph.
I try to do everything from thinking about big issues like how a building fits into the larger stream of architectural history to practical issues such as how it feels to navigate your way through its interior.
For interiors, if you have a basic sofa, you can add fun throw pillows, and cool lighting to make the space more interesting. In fashion, you make a little black dress really amazing with jewelry, shoes and an incredible bag. If you have those clean, basic, pieces you can really mix things up with the accessories and make the space, or the outfit, uniquely your own.
Like any developing country, it has an inequality of wealth. In the Chinese case, it is particularly [pronounced] by the fact that they decided they couldn't make the whole country move forward simultaneously, so they've started region by region. So the interior regions are much less well off than the coastal regions. And this is certainly a huge challenge, because it produces a flow of populations from the poorer regions to the richer regions.
From without, no wonderful effect is wrought within ourselves, unless some interior, responding wonder meets it.
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